Dear Trick or Treat creator,

[hearthouses]

COMPLETED: 09/21/20.

Thank you so much for writing for me! I am very excited to get any sort of seasonal-inspired fic, but don't be intimidated, I am fairly easy to please and would be happy with most anything.

My letters are usually fairly long and detailed, as I hope to cover enough ground to give you as much info in case you are not sure of what to write, but feel free to ignore most of this letter but the DNWs if something sparks you that’s not completely like what I prompted. I just want you to feel inspired and comfortable! I've broken the beginning down into categories, including general and miscellaneous things I like for a general vibe of what I am into beyond smut, but I am not expecting anything elaborate or plot-driven, but please feel free to do so if your heart desires!

I mostly use this journal as a private place to post thoughts I’m not comfortable posting on my tumblr, which is where I mostly hang out, making graphics and reblogging things—if you choose to visit, it’s good place to snoop to get a generalized glimpse at what I like.

NOTE: I've added a Trick and Treat ideas section that may overlap with some of my other likes, but I wanted to add a specific space for theme-specific general likes. Also, I have a pinterest board that focuses on Halloween/autumn aesthetics, if you want more inspiration.


TABLE OF CONTENTS
LIKES & DNWs
(General Likes | Dark Fic Likes | Smut Likes | Trick or Treat Ideas | DNWs)
CRIMSON PEAK (2015)
FROM DUSK TILL DAWN: THE SERIES
(Carlos | Manola | Paloma | Kisa | Scott)
I SEE YOU (2019)
IT (MOVIES - MUSCHIETTI)
(Losers Club | Ben | Beverly | Bill | Eddie | Mike | Richie | Stanley | Adrian | Georgie | Patrick)
THE LOST BOYS (MOVIES) || THE MAGICIANS (TV) || ORIGINAL WORKS
PET SEMATARY - STEPHEN KINGREADY OR NOT (2019)
(Charity | Grace | Helene)


GENERAL LIKES

♡ Backstory, future fic, unreliable narrators, outsider POV, snapshots, missing scene fics, character studies, small but meaningful moments, missing scenes, codas, alternate canons, semi-alternate universes, and canon divergences, and/or slight changes to canon, “what if” AUs.

♡ Epistolary fic, or a “five times something happened” type of fic, or a “five things you didn’t know” or 5+1 type stories. Fics that start in medias res, stories told backwards, or in alternating POVs, fics with unusual format, fics that utilize other forms of media to enhance the storytelling, such as: journal entries, newspaper articles, excerpts from books characters wrote, characters on reddit or twitter, characters running a podcast.

♡ Happy endings, bittersweet endings, downer endings, endings that will wreck me and endings that will put me back together again.

♡ Road trips, small towns, traveling, a sense of place, in between moments and in transit, a strong sense of a setting, the aesthetics of being on the road, having to stay in crappy motels and living in and out of suitcases. Taking a journey across the country and finding yourself, or going on a road trip and falling in love. Escaping the oppressive small town and running away in a car. Americana aesthetics.

♡ Coming of age stories. Teenage antics, close-knit friends groups. Truth or dare, spin-the-bottle, going to the movies, going to homecoming, or prom. Figuring out who they are, who they want to be. First loves, first heartaches.

♡ Stories about characters doing sex work: camboys/camgirls, porn stars, nude modeling, high-end escorts, survival sex work and underage prostitution. Focus either on the mundane, day-to-life aspects, the funny and lighthearted moments, or the risks, the dangers, the gritty, uncomfortable aspects. Sex workers who love what they do, sex workers who don’t give up their work, happy sex workers.

♡ Established relationships, and domesticity with slice-of-life that details their routine or daily life, communicating without words, the intimacy of living together for a while, or people learning to share space—people sharing household chores or cooking food for each other, people having silly arguments with each other over routine things. Watching movies together, reading to each other, spending time together. Well-worn in loving banter, heavy flirting, and inside jokes.

♡ Pets! Adopting a pet, or acquiring a stray, or a wounded or abandoned animal. Pets as a recovery tool, pets getting under the skin of the most closed off characters.

♡ Stories about unplanned pregnancies, or stories of adoption and fostering, about the difficulties of parenting, how it changes relationships, complicates and strengthens them. Abuse survivors navigating becoming a parent. Good fathers, fathers with a strong attachment to their children. Holding newborn babies. Kid characters who are realistically kid-like and not an accessory to denote a happy ending.

♡ Awkward wooing, careful courtship, or when people can’t say things in words so they say it in action.

♡ Slow burns, UST, people reconnecting again, breaking up and getting back together, learning to love each other again, pining for each other, second chance at love.

♡ Reunions, childhood friends finding each other again, a strong sense of history between characters, found families. Polyamory, unusual relationship configurations, open relationships.

♡ Queer/LGBTQ+ themes. Set in historical periods. Exploring sexuality, gender or gender expression. A sense of community.

♡ Complicated relationships and internal conflicts—relationships where not everything is clear cut between people, when conflict stems from personal issues or clashing, rather than something external, where there’s angst and anger between these characters, but also genuine love and fondness.

♡ Awful people being tender to each other, terrible people who don’t know how to love, or trying very hard to be good to each other (with some or no success).

♡ Intense protectiveness, will-kill-for-you-without-thinking protectiveness—or the flipside, will-lay-down-my-life, self-sacrificial type of protectiveness.

♡ Hurt/comfort of ANY KIND—illness or wounded or just having a bad day, any kind of physical or emotional bad stuff happening to characters, characters looking after one another, especially tending to injuries, patching the other up, taking care of someone with a cold, assisting with a drug recovery, to helping each other cope with PTSD or loss, helping them day to day, taking care of someone as a practical way to show love.

♡ Battle medical care, self medical care, having to dig a bullet out of someone and stitch them back together, learning medical care along the way for quick patching up, setting someone’s bone or pushing back in a dislocated shoulder. The intimacy of bandaging and fixing someone up.

♡ Exploring physical disabilities (losing sight/hearing/the ability to speak/mobility issues), career-ending injuries, near-death experiences leading to slow, painful recovery periods, narratives that explore survival but learning to live with the new changes and limitations of their body.

♡ Bad weather, storms, quiet rainy days, autumn, the ocean, the desert, the woods, sense of place, sense of time passing, the change of seasons, being snowed in, long stretches of road, liminal spaces, stories that take place in between spaces.

♡ Fairytale themes: retellings, use of fairytales as a structure, or a fairytale structured story.

♡ Exploration of the concept of reincarnation or soulmates, with the relationship feeling old and constant, or the messy complications that come with being soulmates, “wrong” or dangerous soulmates, soul marks, character reliving the same time loops, losing each other and colliding with each other and missing each other completely, past lives, epic-across-time stories.

♡ Tropes I love: Selfcest via time travel, or clones, or magical spells, or dopplegangers. Bodyswap and de-aging into a child. Fake married and fake dating, marriage of convenience or arranged marriage turning into love. Forced to share a bed together, huddling for warmth, trapped together, stranded somewhere together. Seemingly mutually unrequited love. Everyone thinks they're dating, or one of them thinks they’re dating and the other things they’re just really good friends. Secret relationships, secret relationships that are not as secret as they thought. Sharing clothes. Masquerades and fancy dress parties. Hidden or Secret Identity leading to “anonymous” hookup. Confessions due to drugs/alcohol/truth serum. Turned temporarily into an animal.

♡ AUs I’ll always want: Vampire, Werewolf/shapeshifters, Daemons, American Gods-fusion, Witchcraft, Related, Fae/Changeling, Small Town with Dark Secrets, Ladyhawke-fusion, Always a form of Rule 63, temporary Rule 63, Succubi & Incubi, Catboys/catgirls, Serial Killers, Soulmates, Fairy tale or myth retelling, Historical (Victorian era, 20s/30s/40s/50s), Western, Mob, Noir.

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DARK FIC LIKES

☾ Fucked up, varying-degrees-of-unhealthy, too-close-for-comfort relationships. Codependent relationships, obsessive relationships, completely-fixated-on-the-other relationships. I love when a character is willing to literally let the world burn, should the world try to come between them and the person they love, choosing their partner above anyone else, them-against-the-world dynamics.

☾ Psychological mind games between the “bad guys” and the “good guys,” power play, power struggle, trying to manipulate one another. Dark seductions, characters coming to terms with a darker side to themselves, finding commonalities and camaraderie with the wrong person. Stories of conflicted loyalties, abuse of loyalties, loyalty leading people into really bad decisionmaking.

☾ Two-halves-of-a-whole-person type of relationships are my weakness, dynamics where the other can’t function without the other and opt for self-destruction in the face of separation. Dynamics where they are equally obsessive and fucked up, and extremely invested in their relationship, twisted and frightening utter devotion.

☾ People with good intentions doing bad things. People doing bad things for good reasons, or things that they think are good for bad reasons, moral descents and corruption. “The Road To Hell Is Paved With Good Intentions” narratives.

☾ The desperate, broken, and violent lives of criminals. Bonnie & Clyde dynamics. On the run from the law, laying low, living out of a car, out of a suitcase, unable to settle down. The ugly, wild sort of freedom that comes from being outside the law. Organized Crime, living by a code and the trapped, inevitability of circumstance, lives dictated by retribution and punishment, and undying loyalty; living on the edge of a knife. Serial killers—killer couples, or someone precariously in love, aiding and abetting. Killing someone together, disposing of the body, dismembering a body, cleaning up. Terrible people in love and doing horrible things to other people together. Humans who are most monstrous deep down.

☾ Loving too much, too hard, the kind of possessive love where they don’t want to share. Smothering, claustrophobic love. Dynamics where love has gone sideways, too intense and overwhelming, but unable to escape it. Unable to let go. The kind of love that leads to an impulsive and violent place.

☾ Creepy, obsessive, stalker-with-a-crush, only-I-can-have-you dynamics. Kidnapping narratives, Stockholm Syndrome/Lima Syndrome, growing complicated affection for captor while captor develops a soft spot for their hostage/victim. Threats, emotional manipulation, grooming or conditioning.

☾ Incest with a focus on mutual taboo longing, getting too close for comfort, crossing boundaries and escalation leading nowhere good. Unhealthy codependency, intense intimacy. Reveling in their similarities, getting off on being related, on sharing blood. Forbidden sexual desires, wanting things they shouldn’t, romanticization of their desire. Guilt for their desires eating them from the inside out, wanting desperately and hating themselves for it, or torturing themselves for wanting it. But giving in anyway.

☾ Being caught in an incestuous relationship—whether by other family members, or close friends—and the fallout of that, the shame after being discovered. Staying together despite people knowing, open secret incest, or simply being open about their relationship. Living as a married couple, normalcy in spite of the circumstances, or because of it.

☾ The 'there's something dangerous about the boredom of teenage girls' trope, what it looks like when those bored and dangerous girls grow up.

☾ Inappropriately large age gaps, adults with underaged teenagers. Dynamics that focus heavily on kinking on the inexperience of the younger partner, getting to have all their firsts, being able to teach and instruct them, virginity fetishizing. Underage seducers or perusers, kids getting in way over their heads, but too impulse-driven to care. Adults being worn down and giving in, guilty and shamefully, their resolve weak. Moral degradation in the face of desire. Mentor/protege dynamics turning sexual.

☾ Bad first sexual experiences, choosing the wrong person to experiment with, seeking out harmful sexual relationships, due to either trauma or out of shame. Taking up ill-advised propositions, or making poor decisions due to self-esteem issues or internalized homophobia. Becoming overwhelmed and frightened, unable to break it off. Or headstrong, prideful refusal to end it. Active pursuit of unhealthy sexual relationships to prove something to the world, or themselves.

☾ Dubious consent due to outside forces, as in: Something Made Them Do It, Fuck or Die, Sex Pollen, Heat Sex, Drugged/Inebriated Sex, Fever Sex. Curses that can only be broken with sex, scenarios where a character is mind controlled or possessed, and made to threaten a loved one, character turned into a monster and will only turn back if someone has sex with the. Or two parties are forced by a third party for their entertainment or pleasure via blackmail or coercion. Being forced to be photographed or filmed by a third party to create evidence or blackmail.

☾ Extremely dubious consent/noncon likes: crying, dissociation, loss of virginity/first time, desperation, begging, aroused victims, victims being ashamed of orgasming, forced orgasms, aggressors invested in their victim’s pleasure, aggressors enjoying making their victim aroused against their will, painful sex that still gets the victim off, victims resisting, fighting back, or mouthing off, aggressor using verbal humiliation and condescending praise, situations where the victim agreeing to rape to spare someone else, or with bargaining and blackmail/coercion.

☾ The immediate painful and traumatic aftermath of rape or sexual assault, discovery by loved ones due to evidence left behind (come, marks, blood), loved ones comforting victim. Hurt/comfort and clinginess between multiple victims, cleaning each other up. Rape Recovery, the long term effects, grappling with guilt and shame, or anger. Revenge enacted on rapist by loved ones or victim, killing rapist as fucked up catharsis.

☾ Exploring abuse, by a parent or a romantic partner, through the perspective of the victim/survivor: either physical, emotional, sexual or psychological. Munchausen’s by proxy dynamics. Trauma in the aftermath leading to nightmares, PTSD episodes, panic attacks, fridge horror realizations of what they felt was normal. Painful and slow recovery journeys, messy coping mechanisms and “bad victim” traits, self-destructive tendencies, alcohol/drug abuse, self-harm or sexual acts as self harm.

☾ Hurt/Comfort where the results hurt makes it harder to comfort. Trying to care for someone who doesn’t want to be cared for. Irrational ugly emotions, like frustration or resentment or paranoia leading to arguments, outburst, and breakdowns. The struggle to be there for someone who needs you, but doesn’t necessarily want you there. Messy, imperfect attempts at helping.

☾ Exloration of heavy mental illness topics: depression, self harm, suicide ideation and suicide attempts, substance abuse and addiction, identity issues, self-hatred and loathing, mental deterioration, personality disorders, loss of sense of self, existential despair.

☾ Psychological horror: focus on discomfort and dread, emotional vulnerabilities and fears, darker parts of the human psyche that most people may repress or deny. Suspicion, distrust, self-doubt, and paranoia of others, themselves, and the world. Distorted perspectives, delusions, outside manipulation or gaslighting by other characters, emotional and mental disturbances, hallucinations. The monster of the mind, or seeing the monster within.

☾ Break-it fics, whump, break-the-cutie arcs. The villain wins, bad end AUs. The kind of story where it gets so much worse before it begins to get better.

☾ Erotic horror, sexual nightmares, where your mind wants you to give into your deepest and darkest sexual desires. Monstrous instincts bleeding into a character’s sexual expression, wanting to do things to their partner that horrifies them. Eroticized body horror, such as having the ability to reach into someone’s chest, and grasp and stroke their heart without the person dying. Rapid, magical healing leading to more extreme forms of wound play.

☾ Emphasis on blood: bathing in blood, bloodplay, blood drinking, blood as lifeforce, blood magic, blood rituals, getting covered in someone’s blood.

☾ Cannibalism as a sacred act, as a loving act—or cannibalism as an erotic act, where you want to eat someone up so that they’re always with you, where you want to completely consume them, literally and figuratively.

☾ The act of transformation, or metamorphosis. “It hurts to become” narratives. Traumatic events leaving someone irrevocably changed, or people choosing a darker path and becoming someone else, or reliving and repeating actions that had been done to them on someone else. Turning into the thing you never wanted to be.

☾ Becoming god on accident, becoming god due to someone creating your myth and making you one. Meeting your god and being horrified, yet entranced. Becoming a god by eating your god, or by sleeping beside a god, or being favored by a god. Gods and goddesses in disguise.

☾ Monsters of any kind—vampires, werewolves, shapeshifters, fae, merpeople, witches, cat people. Narratives that explore monsterhood—what it’s like to become something not human, characters who aren’t sure how to “people” properly, characters who aren’t good at being “human.” Inhumanity explored through the lens of humanity as monstrosity, the “monster” being more human than the “human”, the interplay between where monstrosity begins and humanity ends, and the struggles with. Monsterhood as a puberty metaphor, or as a metaphor for sex and sexuality.

☾ How turning into a monster changes their relationships. Exploration of their fear of hurting their partner and being ashamed, and fearful of themselves, while their human partner is fascinated with their otherness and wants to explore the changes to their body. Nightmare fetishist humans and the monsters that love them.

☾ In-universe regional horror, myths, urban legends, and folklore. Worldbuilding by expanding on and exploring any of the darker aspects of the canon. The horrifying implications of canon.

☾ Gothic horror, emphasis on emotion and atmosphere, stories that call back to dark and secretive histories. Sins of the past coming back to bite the present. Sinister and cloistered small towns that give off a sense of unease, that something has gone terribly wrong there, like an infection in the water, or the soil gone rotten. Deep, dark forests that give off a sense of being watched, or seem never ending. An elusive sense of dread and foreboding.

☾ Haunted places, and sentient locations, houses that are “alive” where the walls seem to breathe. Ominous houses that change behind your back, places that love and want to possess you, by eating you or keeping you forever. Old houses that seem to grow new rooms, apartment buildings with ever expanding corridors, houses designed with secrets embedded into the architecture. Haunted highways, motels, abandoned asylums.

☾ Ghosts of loved ones who you can’t let go of, or angry and vengeful spirits that want to hurt you. Spirits that linger around, or can only be seen and touched by certain people. Haunting someone who is still grieving the loss. Ghostly encounters, possession, and sex with ghosts. Characters telling ghost stories, exploring a ghost story from a local legend or folklore. The perspective of the person who has become a ghost.

☾ Isolation stories, be it physical or emotional isolation; finding and living in abandoned places, or going to a remote location and being trapped there. The never ending sense of loneliness.

☾ Dark fairy tale elements. Twisted fairy tales, fairy tales taken back to their roots. Dark fairy tale retellings. Fairy tale curses, and prophecies. Fairy tales where it’ll take more than a kiss to break the spell. Deconstructed fairy tales.

☾ Dream horror: oneiromancy, dreamsharing, dream sex, dream invasion, dreams that bleed into reality, cursed dreams, prophetic dreams, dreams of the dead, of the character’s death, death of a loved one, controlling someone’s dreams.

☾ Time loops that seemingly never get better, reliving the same horrible event over and over; watching a loved one continuously die without a solution. Time travel that goes wrong and dismantles the timeline, leaving a character with a worse situation than the one they were trying to fix. Traveling to a different dimension where everything is horrifying and wrong, falling into a mirror verse where the character meets the evil versions of themselves.

☾ Death and what it means to be mortal, exploration of the aftermath of a canon death, of grief and mourning. Characters coming to terms with death and their mortality, or stories exploring their refusal to accept death. Quests for immortality. The pitfalls of immortality. Descents into the underworld, to the land of the dead, to the afterlife in order to bring someone back to life. Resurrection and coming back wrong, dying multiple times and coming back wronger each time. Resurrection rituals with a cost. Desperation and devastation leading to necrophilia and clinging to the corpse of a loved one.

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SMUT & KINK LIKES

☆ Trust! I have a huuuge trust kink that can usually make most kinks work if the basis comes from how intensely two characters trust each other and their willingness to give themselves to the other person in every way, and vice versa.

☆ Any sort of overwhelming “I never thought I’d have this and now that I do, I don’t even know where to start” feelings.

☆ Masturbation and fantasizing about the other character before getting together, mutual masturbation, one character watching the other maturbate, either accidentally or deliberately. Instruction on masturbation.

☆ Inexperience, awkwardness due to lack of knowing what to do, fumbling and messy, imperfect sex. Characters discovering kinks for the first time. I love anything that focuses on sexuality exploration and experimentation, and first times. Budding feelings, insecurities, gay teens feeling different and cut off from their peers, haywire hormones, accidental stimulation leading to arousal.

☆ Any sex where emotions are mixed, or difficult to acknowledge, or emotionally hurtful to acknowledge, sex that doesn't heal anybody's deep emotional wounds, moody messy melancholy.

☆ Hurt/Comfort sex, grief processing sex, any sort of sex that tries to dull the ache of something psychologically traumatizing.

☆ Messy, badly-negotiated (or unnegotiated) sexual desires. Characters signalling to their partner that they’re in a kinky mood vaguely or through actions (acting out for attention, behaving in a certain way, etc.). Boundary pushing, unaware of limits until limit is hit and still pressing forward, under-negotiated consent. Lack of communication, characters accidentally hurting each other or themselves.

☆ Powerplay and D/s, service kink and getting off on giving pleasure rather than receiving. I prefer more casual setups without much negotiation or discussion where one character gets off on being pushed around, getting told what to do, or do service-y things for the other, and the partner gets off on doing the pushing around and they all lean into that.

☆ As much as I love powerplay, I love it more when it includes switching or no set sexual “roles,” i.e. topping from the bottom, doms who like to be penetrated, dominance struggles, bossy subs, antagonism to push their partner around. Anything that explores a struggle for control.

☆ Roleplay and exploring fantasies.

☆ Dirty talk! Anything from the sweet and intense to extremely explicit and filthy. Getting a partner to talk about what they’re into during sex even if they’re embarrassed about it. Making a partner beg and voice what they want. Talking during sex to make the partner flustered, talking to orgasm, using pet names. Poking at hot buttons that tread the line of humiliation, talking about areas of shame in sexual desires.

☆ Praise kink! I love it when a character is lovingly taken apart by telling them how good they are or were. On the flipside, condescending praise from aggressors.

☆ Vocal sex, loud sex, unable to keep quiet. Partner kinking on moans, whimpering, mewling, whining. Vocal displays of losing control.

☆ Any sort of bondage—ropes, scarves, handcuffs, belts. I love characters being physically restrained so they can't move no matter how much they struggle, but also bondage that is about the character having to behave and stay still, without the use of restraints or flimsy restraints. Being held down and pinned at the wrists.

☆ Sex toys, used either solo or in partnered sex. Any sort of dildos, plugs, vibrators. Sex toys worn clothes and in public, remote controlled vibrators where one character has the remote.

☆ Rough sex and manhandling! I love when characters get pinned against a wall, pushed around, bent over, or used roughly just to get off. Hair pulling, yanking a character’s head back by the hair. Physical contact as foreplay, even and especially when the characters wouldn’t admit they’re into each other. Roughhousing as an excuse to touch each other, playful wrestling that leads to more.

☆ Angry sex, fighting-that-leads-to-sex, heat-of-the-battle sex.. Ill-advised sex in lieu of working out issues between characters, taking out issues on partner during sex, frantic, make up sex.

☆ Mild objectification, whether it’s fully consensual or under-negotiated boundary-pushing leading to objectifying dirty talk about ‘using’ a partner for sex. Maybe actually following through with it. Casual groping, ass-slapping, rubbing up against a partner when they aren’t expecting it, grabbing them in public and feeling them up.

☆ All body worship and teasing. Kissing all over the body, exploring all parts of a partner, finding erogenous zones, kissing in unusual places. Edging, orgasm control, sensory overload, overwhelming sex. Overstimulation, being touched immediately after orgasm. Begging to come, multiple orgasms, crying during sex, kissing away or licking up the tears.

☆ Any sort of grooming or bathing as foreplay that leads to sex, or sex in the bath and/or shower. Joining partner in the shower to distract them from morning routine with sex. Cleaning up after sex, taking care of partner and being careful around bruises and marks.

☆ Voyeurism, either accidental or intentional. Inviting someone to watch, or fucking for the entertainment of a third party. Phone sex, sexting, dirty long-distance communication. Sending nudes and explicit videos. Masturbating as a show for a partner, partner giving instructions. Long-distance intimacy. Creating porn as a gift for a partner.

☆ Public sex or semi-public sex. Touching a partner under a table, giving oral sex in a movie theater or sex in a public bathroom. Sex outdoors, in parks, in a graveyard. Any form of car sex, inside or on top of a car. Road head. Sex in other places than a bed: on tables, against walls, on the floor, on a chair, in the shower.

☆ Characters who kink on violence and danger. Arousal from killing or watching someone get hurt. Attracted to dangerous people, i.e. serial killers or monsters. Knowing their partner could kill them or hurt them and getting off on it. Being the leash holder of a monster. Fearplay and desire to be “hunted” and taken. Extreme kinks like gunplay, knifeplay, breathplay, etc. Put on display for others, exhibitionism.

☆ I love blood kink and bloodplay! Vampires biting and feeding, menstrual sex, or combined with knifeplay where cutting a partner and making them bleed is part of the sex act. I also like accidental bleeding, as in too rough penetrative sex or biting too hard and breaking skin, or getting aroused by nosebleeds and accidental cuts.

☆ Scar kink, scar worship. Kissing, licking, or sucking on scars. Scarification as ownership or a sign of devotion. Matching scars, important scars. Branding.

☆ Any displays of jealousy and possessiveness, including PDA and grabbing a partner in public. Leaving hickeys and bite marks in visible places. Scratches and other forms of marking.

☆ Feral or animalistic behavior, especially re: monsters or werewolves. Xenophilia, monster fucking, kinking on partner’s inhuman features, sex with partner while transformed, i.e. sex with werewolf partner’s wolf form. Sensation play with a partner's inhuman outer appearance, like getting off on a scaled body or feeling fur against skin.

☆ Scent kink, breathing in partner’s skin, liking partner’s sweat and body odor. Smelling areas where scent is particularly strong, like armpits or groin. Smelling their hair.

☆ Hand kink, palm and fingers kissing. Finger sucking. Obsessed with what a partner's hands can do.

☆ Oral fixation in general, kinking on smoking and shotgunning, getting turned on by partner licking a popsicle or lollipop.

☆ Any and all forms of oral sex. Deepthroating, choking, coming in partner’s mouth. Vaginal fingering during cunnilingus. Tongue-fucking. Ball licking, sucking. Getting hair pulled while giving oral, recipient pushing giver’s head down and holding it there. Character getting aroused while giving oral and getting off during, either by masturbating, or grinding/rubbing off on partner’s leg. Body worship when giving oral, kissing and nuzzling into a partner's thighs, sucking and biting the skin, leaving marks. Face-sitting, enthusiastically grinding on partner's face, lazy and slow 69-ing. Rimming, kissing after oral sex—totally cool with ass-to-mouth.

☆ Stuffing someone's mouth with fingers or objects. Gagging. Hands over mouth. Trying to stay quiet during sex (and maybe failing). Biting lips, biting down on partner’s shoulder. Kissing to keep noisy partner quiet.

☆ Coming untouched.

☆ Non-penetrative sex: dry-humping, frottage, coming in pants. Intercrural in exchange for penetration, fucking partner’s thighs when they’re bent over or pressed face-first into a wall, coming on thighs.Touching a partner over their clothes or under the table. I like lazy, slow, sleepy, familiar sex where all parties are happy and don’t need anything fancy to make it good. I also like non-penetrative sex framed in a way that’s about the characters being too desperate or too impatient to do anything else, or are young and too inexperienced that any sort of contact gets them off.

☆ Penetration: hole stretching, hole training. Fingering, coming from just fingering. Sloppy lubrication, messy penetrative sex, double-penetration in one hole or in vagina and ass, multiple penetration and spitroasting. Sloppy hole after gangbang.

☆ Come play. Facials. Coming on someone's body. Coming inside. Licking come out of partner or licking another person’s come out of partner. Sex after excercising or sex after getting physically filthy and not caring. Putting a butt plug inside of partner to keep come inside. Messy, filthy sex in general, especially if the characters kink on that.

☆ Size differences, contrasting bodies, kinking on body differences. Size kink.

☆ Consensual or dubiously consensual somnophilia. Oral sex or fucking partner awake. Pretending to be asleep to let someone explore. Having sex with a half-asleep or extremely sleepy partner. Intentionally drugging self in order to have a partner use their body to get off while they’re unconscious. Giving permission to use their body to get off when asleep.

☆ Drunk or high sex! I love the emotionally messy, dubcon-y, bad idea kind where one character is sober and unsure if they should do this when the intoxicated character comes onto them (especially if there’s pining involved) kind, or the mutually, sloppily affectionate consensual kind.

☆ Clothing kink! For example: a focus on suits, uniforms, gloves, boots, lingerie, etc. in a sexual context. Partially-clothed or mostly-clothed sex, naked/clothed, dressing and undressing, neat characters being disheveled for once; casual characters cleaning up nicely, clothes-sharing, choosing clothes for the other person as kink/foreplay. Crossdressing, either men in lingerie or women in suits. Getting off to smelling someone’s clothes or used underwear. Using clothes to tie someone up, or using underwear as a gag. Cutting clothes or ripping clothes off.

☆ Competence kink and intelligence kink, characters kinking on the skills set of another, i.e. Seth’s admiration/fixation on Richie cracking safes, characters admiring the strengths of the other.

☆ Adaptive sex due to injury or disability. Figuring out how to get a partner off in different ways, evolving sexual dynamics due to great upheavals and trauma. Rape recovery and working through contact and intimacy issues.

☆ Anything paired with tenderness, both for sweet sex and especially with rough, fucked up sex: hand-holding, forehead touching, forehead/face kisses, snuggling and cuddling, nuzzling, hugs from behind, neck kisses. Lots of kissing in general is lovely. Long, slow making out as foreplay. Nuzzling into someone’s palm or neck. I love the “we like each other so much that we can’t stop touching each other in any way” trope a lot.

☆ Making breakfast the morning after. Morning afters, in general. Aftercare. Sleep related things in general: comfort after a nightmare, falling asleep together, one character watching the other sleep. Characters that feel safe and cherished by others. Simple casual intimacy is fantastic and very much appreciated.

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TRICK IDEAS
🎃 Dark Side Of Halloween: people using the night to commit dark deeds, rituals & sacrifices, worship of ancient gods, emphasis on dark folk tales, the town/family/house has a dark secret trope, mean-spirited tricks and pranks that go wrong, something long the lines of the film Trick’r’Treat (2007) in tone and spirit.

🎃 The flipside of witchcraft: dark magic, curses, dealing with evil/cursed/corrupt objects, corruption/addiction to dark magic, the road to hell is paved with good intentions, turning more and more into a monster (literal or metaphorical) every time you use power, using magic to harm or to kill, or to cause a fate worse than death.

🎃 Darker cultural traditions, folk horror, rural cults, liminal spaces off backroads and long stretches of highway, small town creepiness, regional horror and myths.

🎃 Slow burn horror, atmospheric horror, existential dread, creeping horror, horror that is only horror in retrospect/after the big reveal, horror that creeps under your skin and doesn’t leave your mind for a long time.

🎃 Dreams as horror: nightmares, dreams bleeding into reality, false memories, dreamsharing, shared nightmares, prophetic dreams, not being safe even in your dreams.

🎃 All kinds of psychological horror: mind fucks, gradual loss of grip on reality, decents into madness, a pervasive yet unidentifiable sense that something is terribly wrong, sneaking suspicion that you're forgetting something important, unable to access memories or false memories, selective amnesia.

🎃 Unreliable Narrator: narrator is the monster, narrator is the bad guy but thinks they’re the good guy, narrator thinks what they’re doing is for the best but ultimately harmful, in the mind of a killer.

🎃 Monsterhood: transformation into a monster (slow or immediate), exploring new monstrous form or dealing with uncontrollable urge due to newfound monsterhood, sexually transmitted monsterism, embracing the monster inside (or outside) and enjoying it, characters claiming power by becoming the monster.

🎃 Body horror: body transformation (consensual or otherwise), influence/possession via transplanted body parts, gradual loss of humanity through transformation, body transformation can only be undone by sex, sexually-transmitted body transformations, nonconsensual magical body modification.

🎃 Erotic Horror: sex dreams that turn into nightmares or nightmares that take on a sexual edge, heavy sexual overtones in body horror, stalking/hunting/sexualized predator and prey dynamics, necrophilia, eroticized cannibalism and consumption, ghost sex, vampire feeding. Sex as relief from fear or trauma, including sex between characters who normally wouldn’t be interested in each other, the world’s ending, So We Might as Well Fuck, sex for comfort in horror situations.

🎃 Creepy forests: forest is dark and mysterious and possibly sentient but Definitely Out to Get Us, forests That (Probably) Want To Eat You, haunted forests/lakes/caves, the land biting back.

🎃 Emphasis on the gothic: haunted houses/buildings/roads/places/ruins, ghosts as paranormal activity or as a metaphor for trauma/guilt/shame/violent event, ghosts losing more humanity the longer they're dead, character is dead and doesn't know it, malicious spirits, poltergeists, and not-so-nice ghosts, talking to dead people and reaching Beyond The Veil and getting an answer back, trickster ghosts, spirits that mean to do harm. Structures as characters, or sentient buildings, buildings that change layout, The Setting Wants You to Stay; Slowly You Do Too.

🎃 Coming back from the dead: necromancy, resurrection rituals with a cost, what was brought back wasn’t the person intended to bring back, revenants, died and came back wrong, character discovering they aren't as human as they thought they were, undeath (non zombie), unable to prove a character didn’t come back wrong, character repeatedly coming back from the dead or repeatedly dying, coming back a little more wrong with every resurrection.

🎃 Death as concept or personified, representations of death, grim reapers, the afterlife or the underworld, death and the maiden dynamics.

🎃 Be careful what you wish for, creepy shops that seemingly have solutions to your problems, monkey’s paw, faustian bargains, becoming the thing you most hate/fear, people with good intentions doing bad things.

🎃 Bad ends, unhappy/bittersweet ends, aftermath of horror experiences, post-horror story aftermath and recovery, lingering trauma from surviving.

TREAT IDEAS
🍭 All Things Autumn: taking a walk among falling leaves, sweater and boots with thick cozy socks and light coats, overcast dark skies against the bright foliage, hot drinks: apple cider, pumpkin spice, hot chocolate, fall foods: pumpkin pie, apple crisp, warm stews, going apple picking, making caramel apples, picking out a pumpkin, going on a hayride, fall fairs/carnivals, taking long drives to take in the scenery, going for walks in the woods or cemeteries, gloomy rainy weather, looking up at a harvest full moon.

🍭 How characters celebrate Halloween! Pulling out the decorations, buying candy, choosing a specific meal to prepare or creating holiday-inspired treats, prepping the house for trick-or-treaters, or taking their kids out trick-or-treating.

🍭 Halloween Traditions: watching a Universal Monster movie marathon or Halloween specials, visiting a local haunted house, telling scary stories or reading a specific book that captures the feeling of the season, planning a horror movie marathon, carving jack-o-lanterns.

🍭 Costumes! Selecting costumes, the process of getting dressed and putting on makeup, the excitement of wanting to go out trick-or-treating. Or, for older characters, halloween parties, or dances, or balls. Masquerade balls during this season are especially romantic and atmospheric.

🍭 Childhood memories, or focus on the characters as children or teenagers, and how Halloween felt to them. A sense of anything could happen. Halloween games, such as corn mazes or bobbing for apples.

🍭 Halloween night and all things associated with it: full moon, black cats, magic, the return of spirits, the end of the harvest, all the folklore surrounding it.

🍭 Romantic tropes with a Halloween-twist: keeping warm on a cold night, passionate lovemaking under a full moon, kissing in dark corners at a dance or masquerade, huddling together near a fireplace while enjoying some warm drink, watching horror movies and ending up making out on the couch, stuck in a cabin in the woods, telling ghost stories around a campfire to make the person you like cuddle closer, seeking shelter from the rain, getting caught in the rain, long walks in the woods holding hands, having sex in a graveyard.

🍭 Cute and sweet monster/human romances! Appreciating and loving the monstrous parts of their partner, arranging for date nights on the full moon with their werewolf significant other, helping their vampire boyfriend/girlfriend get the blood they need, witch spouse doing magic to make their partner smile.

🍭 The gentle, sweeter supernatural: ghosts visiting currently living loved ones, meeting of spirits as they return to earth, monsters that can go out on Halloween night without disguise and walk among humans, vampires using parties as an excuse to feed without hurting anyone, softer stories about werewolves where they spend the night cuddling with each other or their human loved ones.

🍭 Witches and their animal familiars, talking black cats or crows, casting spells, performing rituals, or having gatherings or hosting festivals. Samhain, or other cultural rituals and holidays set around autumn from around the world, ancient and abandoned places, old places with lots of history attached to them creating a breeding ground for ghosts, urban legends and folklore.

🍭 Retellings of any horror classic or Halloween focused- tale. Or homages to/Fusions/AUs of Halloween-themed movies or specials of TV shows. I am especially fond of: Hocus Pocus, Halloweentown, ParaNorman, the episode of Buffy called Halloween.

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↳ DNWs: I prefer not to read about excessive abuse, but I understand it’s inclusion if necessary to the story. I like reading about the aftereffects of abuse, of trauma, but sometimes the actual abuse can be a bit much, so I’d prefer more implications and reference over on-screen abuse.

Caveat: this is waived for any dubcon or noncon-heavy ships and prompts, such as things involving my parent/child requests, or Patrick Hockstetter, who is his own warning.

Mentally ill or neurotypical or disabled characters treated as a burden or better off dead or elsewhere—it’s fine if they're experiencing ableism from outside sources, but I don't want the whole fic to be about that.

Misogynistic/whorephobic dirty talk i.e. bitch, whore, etc. This DNW is waived for characters like Henry Bowers or Patrick Hockstetter, who would use those words. I prefer praise kink and humiliation-esque words like slut, cock slut, and cocksucker more.

Unrequested feminization of male character. I love characters exploring gender expression and crossdressing, but I don’t like male characters being referred to as “little girl,” or having their asshole referred to as a cunt or a pussy. Characters describing a male character’s features as “like a girl” is okay.

No deathfic unless the characters die or have died in canon, or a villain is being killed. Referring to the major character deaths that occur in canon and exploring those after effects is okay, but otherwise, I’d rather not read it. I don’t consider it deathfic if someone dies and then comes back in the same fic. Graphic depictions of child death, except for those embedded into the canon i.e. Georgie Denbrough’s death.

Graphic animal cruelty or death, especially done to cats; I’d especiall rather no pet death be included. This DNW is waived in the case of werewolf or vampire AUs where the monster hunts down woodland creatures as prey and eats them.

Extreme underage (12 years old and below). I do, however, like underage—both in the form of age gap pairings, and fumbling teenagers exploring their sexuality together.

Unrequested non-con (extreme dubious consent okay, or just regular dubious consent i.e. messy and fucked up stuff with one character taking advantage of the other, capital R "romantic" necrophilia, or “we all got drunk and had sex together, whoops”), violent rape, and unaroused or non-orgasming characters.

Themes and tropes to avoid: love triangles, completely unrequited love—pining and obliviousness are encouraged, unrequested non-canon pairings (background canon ships are fine), unrequested AUs.

Rigid top/bottom roles—focusing on only one person topping or bottoming for the duration of the fic is fine, this issue for me comes in where characters are defined by being a “bottom” or a “top,” leaving no room for potential switching.

My squicks are: watersports, scat, vomit, heavy or formalized D/s dynamics, exhaustive discussions of consent, humiliation (sexual & verbal humiliation is fine, but I have a strong sense of second hand embarrassment, so please no one going out of their way to embarrass or humiliate a character in another way, especially in public), bestiality (xenophilia in terms of sentient monsters, on the other hand, is encouraged), feeding kink, weight gain, forced feeding, forced dieting, sex-with-foods.

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P R O M P T S
CRIMSON PEAK (2015)
↳ Character: Lucille Sharpe

Backstory! I’m really interested in the events that lead to her time at the asylum, what that place was like for her, and how weird and hard returning home must have been, either because of the trauma or because of how hard she latches on to Allerdale Hall and her brother once again.

I’d also be interested in the process of her killing her mother and/or her involvement in her father’s death.

Fix it fic. I just want a happy ending for Lucille. I know she doesn’t deserve it. But I would like her to be happy, however way she can be. It doesn’t need to be happy with Thomas; I’m interested in that relationship but I also don’t necessarily want it long term. It can be on her own, as mistress of Allerdale Hall, or with an OC, or just AU where her life isn’t so tragic.

Speaking of Thomas, I don’t necessarily want ship fic for them; or what I mean, I am interested in the relationship and how it defines Lucille but I’m not looking for a Lucille/Thomas story so much as a Lucille story, and Thomas obviously has a massive impact on her life. So don’t feel like you need to shy away from their relationship; I would enjoy something focusing on Lucille’s perspective or first time fic—but I’m mainly interested in Lucille here.

AU where Lucille gets what she wants and Thomas gets her pregnant. Them raising a child together.

What was it like for her to be taken from town to town, finding wives for her brother?

Vampire Lucille! Crimson Peak has strong vampire vibes, please lean into them. Maybe the Sharpes are born vampires or maybe a pretty girl turned Lucille into a vampire at the asylum and she comes back stronger and scarier than ever.

Werewolf Lucille would also be amazing. In general, I love monster Lucille and anything that keeps her alive but also gives her more power.

Ghost Lucille, haunting Allerdale Hall. Do she and Thomas’s ghosts ever converge and spend time together? What about future owners of the mansion? I’d love to see her haunting them.

Alternatively, someone tears down Crimson Peak. Lucille’s spirit follows whoever takes a personal item of hers.

In general, I do love Lucille haunting Crimson Peak, and becoming part of Allerdale Hall. I really love “person is a location” narratives and I’d love more of that here.

If you need more inspiration, I really love this biography that Tel Toro posted. I don’t need or want you to adhere to it entirely, think of it as suggestions. I’d love to see details and ideas from it worked into a fic. I’m really especially partial to Lucille poisoning her dad when he started beating Thomas, Lucille getting along with Therese, and Lucille enjoying things like her brother’s skin and good tobacco and a warm fire.

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FROM DUSK TILL DAWN: THE SERIES
↳ Characters: Carlos Madrigal, Scott Fuller, Manola Jimenez, Paloma Gutierrez, Santanico Pandemonium | Kisa

I ship: Carlos/Kisa, Carlos/Scott, Carlos/Paloma, Kisa/Paloma, Carlos/Kisa/Paloma, Carlos/Kisa/Manola, Kisa/Manola, Kisa/Paloma/Manola. In terms of gen, I would love any sort of platonic dynamic between any of these characters, but I have a special fondness for Kisa & Scott and their mirroring arcs and parallels.

Let's some general prompts that don't really fit with any particular characters:

→ I really love the mythology of the show and would love anything that broadens it and explores it more in depth. I would love any inclusions of more mesoamerican folklore, or more creatures inspired by mesoamerican folklore, like werewolves or witches or zombies, or whatever you feel like!

→ Do culebras celebrate Dia de los Muertos, given how they are the undead, but they clearly have lost people? What do the Geckos do on Halloween? Is there a memorable heist? Any traditions? I would love anything holiday themed as Halloween is my very favorite.

→ I love any sort of domesticity, so if you feel like writing Kisa/Manola backstory fic of them making a home with each other, or the early days of Carlos/Kisa.

→ Reverse any death! Give any dead character a second chance at life and explore what happens to them.

→ I would love any backstory fic. Where do Manola, or Paloma come from? How did Scott grow up? What was Kisa like as a human?

→ Anything Halloween-related trope-y, like going to a masquerade party or the dead come back on All Hallows’ Eve, or cursed to become what you’re dressed up as for the night.

→ Monster AUs! Manola lives and gets turned into a werewolf, or a culebra or something else. Paloma stays a culebra and comes back around to haunt Kisa. I love monster transformation so much as a trope.

→ Came Back Wrong. Resurrections. Magical rituals. I am really into things getting weird and broadening in the worldbuilding in some kind of spooky way.

CHARACTER-FOCUSED PROMPTS:
Carlos Madrigal

Carlos backstory! Anything from his human life to his love and worship or Kisa over the centuries to him struggling under Malvado’s rule. I’m fascinated with who Carlos is and how he becomes who he became.

Carlos setting up shrines for Kisa. Creating the religion around Kisa.

Carlos becoming Narciso’s errand boy. Carlos/Narciso in general! I’m really fascinated by that relationship, Carlos turning him and being far older than him but Narciso rising through the ranks faster and turning his back on him. I would love to see the start of that.

Carlos and Kisa backstory, him serving her, him bathing her, etc. I’m obsessed with their dynamic.

Post-s3 Carlos and Kisa, walking the earth together, helping other culebras and perhaps maybe reconciliation.

If you’d like to a more Carlos/Kisa focused fic, I have more prompts for them located here.

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Manola Jimenez
A lot of these prompts are gonna lean in Kisa/Manola directions since its canon, but I will be happy with Manola gen! Otherwise, I don't ship Manola with anyone else but Kisa, unless there's a threesome or poly situation.

Backstory fic. She's from Ohio! How did she end up embroiled in culebra politics! Give me anything from her life before to whatever she did to piss culebras off.

Manola lives! Either she never got injured in the first place or she gets turned into a werewolf, or a culebra or something else. I am okay with seeing Manola injured and how they deal with the aftermath of her being put in danger, but how she lives it up to you! Go wild!

Or Kisa potentially going on an Orpheus-like quest to bring back her lost love.

How did Kisa and Manola fall in love. I am fascinated by how Manola has gotten Kisa to open up and soften after centuries of being locked down and self-protecting. Manola is one of my favorites, stubborn and determined, but not shut down; she’s so expressive and free with her emotions that she’s such an interesting but good match for Kisa. I would love anything that explores how and when they met, the trajectory of their relationship, or simply just a moment between them—just anything that shows their backstory because I’m so curious about it! Give me them meeting and then Manola tracking Kisa down and never leaving her alone, give me Kisa taking Manola back to her hotel room and Manola just never leaving after that, give me what Kisa saw in her soul, how they view each other as their own personal savior.

Manola allows Kisa to feed on her as a way of sustaining Kisa without actively killing people—how did this arrangement happen? How being fed on makes her feel, her headspace whenever it happens would be fascinating.

I really love the mythology of the show that blood gives culebras a view into the person’s soul and also that they gain skills from the person they feed on—that kind of intimacy is like catnip to me, so I’d love anything that explores it, especially if Manola gets Kisa to open up by challenging the unfairness of Kisa knowing all her secrets.

Kisa taking Manola on the run and into hiding until Manola convinces her to join the fight and to stop running out of fear, or Manola convincing her in the moment after her attack to join Seth and Richie, and Kisa agrees to go because the Geckos promise to help protect Manola.

I think Manola going with Kisa to rebuild Carlos would be amazing, especially when they meet and imagining their dynamic. Honestly, feel free to include Carlos in any capacity, I love that piece of shit. I would really love to see his reaction to Kisa getting a girlfriend after murdering him.

Manola interacting with Richie and Seth. For example, I'd love to see her work with Richie more or spar with Seth.

Kisa and Manola setting up the fight club—I’d love anything domestic with them! I am so interested in how they became a family to one another and then built a community where they could feel safe and in control.

On the flipside, I would love anything that plays with fighting or sparring. Manola is a fighter and has been in their ring (what if she was Kisa’s prized champion until Kisa asked her to quit?), so I would love to see anything that shows off how strong Manola is given she fights culebras or just her and Kisa practicing in the ring and things get steamy.

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Paloma Gutierrez
Backstory fic. Where did she come from? What was she running from? I'd love to see especially something that explores her growing up worshipping Kisa and la diosa and how that works?

Especially once she meets her actual goddess later on.

Paloma stays a culebra and comes back around to haunt Kisa.

Or Paloma gets away at the end of S2 instead of dying, and makes her way into the world. Honestly I’m just fascinated by culebra!Paloma and would love to read more of it, in any capacity.

I’d love an AU where Paloma never seeks out Malvado after Bondage and settles into a life in Houston, and manages to thrive.

I would love to see Paloma interact more with Richie given that he captured her in the first place. Did she ever try to get him to let her out? How did they get along?

Kisa/Paloma fic. This dynamic is so, so messy and I love it so much and am so sad it was so short lived on the show. I was fascinated with the twisted mentor/protege dynamic that came with Kisa trying to recreate Paloma in her image, through a cycle of abuse, but at the same time, actively seeing herself in Paloma and unable to help but be protective of her. I’d love to read more about the actual hostage situation. How much time did they spend together before Paloma had to go on stage?

MORE Kisa mentoring Paloma in how to dance, but also for her to teach her how to emulate her, copy her movements, so she’s good enough bait for when she dances in front of an audience. Kisa personally styling her and brushing and curling her hair for her, especially if she's trying to mold Paloma into a version of herself as bait. If you extended this beyond her hair—Kisa washing her or helping her bathe or helping her personally get her dress on, even if Paloma resents the help.

Paloma trying to escape Kisa, but failing and getting thrown back into the cage. Paloma offering her body and blood to Kisa as long as she gets to escape, but being unable to. Paloma refusing to help Kisa with her quest and being stubborn and a fighter.

I was really interested in Paloma specifically saying she went into Jackknife Jed’s by on her own because she wanted power; I’d love to see that explored more—Paloma trying to get the upper hand on Kisa, or trying to navigate a new world of snakes and monsters by trying to become powerful in her own right. Maybe she asks Kisa to turn her, instead of Malvado, after Bondage. Or Paloma gets hurt and Kisa is forced to turn her. I would love to see the fallout of the situation forcing Kisa’s hand and the ensuing guilt afterwards.

Paloma becomes the new Santanico Pandemonium, maybe in the Titty Twister, maybe in some other kind of club. Or even Paloma being elevated so high she becomes the new diosa as well.

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Santanico Pandemonium | Kisa
I really love the mythology of the show and would love anything that broadens it and explores it more in depth, and Kisa’s place in culebra mythology and mesoamerican folklore.

Where does Kisa go in between 3x02 and 3x08? Show me her mourning period after Manola. Show me her wandering the earth in pain after losing her fight club. Show me her coming to realize she’s going to need Carlos and how she reaches that conclusion. Show me realizing she wants to fight for the culebras as well. Show me Kisa’s journey, what we didn’t get in canon.

I would honestly just love post s2 fic, of her forming her fight club, of her deciding she no longer wants to be called Santanico at all, ever, of her gathering these followers for her fight club, both human and culebra. If you wanna include Manola and how she became a part of that, that would be awesome as well.

Or post s2 fic of her just walking the earth and her adventures. Where does she go, what does she do, does she meet other women besides Manola to get into a relationship with, did she try out different styles, different names, different ways to reinvent herself? Kisa/freedom is my one true otp.

Fic about her surviving in the twister, and how she manages for 1000 years. I'd love to see the early days when she was just chained in a temple and how that evolved into a saloon, then strip club. I'd love to see more interactions between her and Carlos, her and Narciso and her and the other dancers of the twister.

I would love post S3, with Kisa rebuilding culebra society and how she manages now as official queen of them. I'd love to see Carlos help her, or her team up with the Geckos later.

Post-S2 AU where Kisa decides to stick around Jackknife Jed’s and help them run their empire, or keeps coming back to them. A place to rest her weary head, so to speak.

Another Post-S3 scenario I’d love is where Kisa and the Geckos meet again down the line some years later, and end up back in each other’s lives. Maybe Richie decides to help Kisa rebuild culebra society and Seth tags along, maybe Richie’s turned Seth into a culebra and wants Kisa’s help, maybe they just accidentally run into each other and get a drink together to catch up.

Kisa helping the Geckos rob a bank. Or in general, them all having to plan a heist together and getting into dangerous situations, yes.

Interested in writing Kisa/Manola or Kisa/Paloma or a poly-situation between the three of them? See more prompts here.

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Scott Fuller
Scott/Rafa. I’m fascinated by the possibilities of them! It doesn’t even need to be shippy, I would just love for them to interact, whatever the circumstances. Kate brings Rafa to Scott so he can be a positive vampire mentor, Scott runs into Rafa while fleeing Mexico, Rafa attends a Fanglorious showing.

Scott/Carlos—I love this dynamic. Evil vampire mentor ship! Carlos teaching Scott how to be a vampire and Scott eager for approval and affection! More prompts here!

Scott and his band! Tell me how he formed his band! How he picked up all these people in the band! Does the band travel? What is their little family like? Sometimes I wish they’ve never been interrupted by Amaru and they just continued on to be awesome.

Scott post S3; where does he go from here? I’d love to see him go back to his band but also maybe go hang out with Kisa or even Carlos or the Geckos. Where does Scott go after being rejected by his sister a second time?

Scott killing his bullies. I always wished that wasn’t something that was treated like a reveal. I would have loved to see his thought process, his plans, if he had hesitation or moments of doubt, the aftermath. He seemed to want their approval as much as he wanted them dead so give me all that messiness.

Scott turning Kate! Either in the twister or mid S2, AU where he succeeds in turning her, he turns her to save her life in the S2 finale (things may have worked out better for Kate if he had), or at the season three. I’d love to see the fall out and Kate being angry about it but also these two siblings as teenage baby vampires alone in the world. I do ship Scott/Kate, as well, so if you wanted to lean in that direction, I would be happy. I have several letters with prompts for them.

Scott precanon things; coping with being a transracial adoptee. Feeling isolated and alone in his small town. Desperately wanting his father’s approval but also hating him a little. His relationship with his mom

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I SEE YOU (2019)
Characters: Alec Travers, Tommy Braun

This movie ate my brain. I felt like I was kept in the dark about the characters right up to the very end, and I really want more of them now! I requested these two characters, because I am interested in learning more about these two abused, traumatized boys and where they even go from the end of the movie.

Alec and Tommy hurt/comfort. I ship them and I’d love for them to find physical comfort in each other as well, but I’d be happy with gen trauma bonding as well. I’d like to see post movie fic where Alec goes to find Tommy

Alec telling Tommy he killed their rapist. Tommy having some sort of catharsis.

In general, I’d love anything in the intermittent years after the abuse—-from Alec planning his revenge, to Tommy and Alec adjusting in the immediate aftermath, to maybe them keeping in touch.

I’d love to see how Alec goes from rape survivor to plotting out such detailed plan for revenge; how long did that take him? How long has he been planning this?

I am really interested in Tommy; he had such a small scene in the movie but it deeply affected me. I would love anything that sketches Tommy more as a clearer character in the film and gives him more interiority. Tommy trying to cope after his trauma and scarring, and maybe Tommy clinging to Alec.

Alec struck me as fairly sadistic in how he wanted to fuck up the family in the movie. Knowing it’s because Greg was his rapist makes it all make sense, but he still seemed to have a keen sense of sadism and psychological warfare and I am just very interested in that side of him. Has he always been that sharp, or is his thrist for revenge so strong, he’d mess with the entire family to fuck with Greg? What was he thinking as he attacked Connor and tied him up? I’d love to see further revenge tactics or violent fantasies about Greg.

Post movie fic with Alec. How does he recover? Where does he go from there?

Alec and Detective Spitzky. I loved that Alec recognized him immediately, even though it must have been years since he’s seen him. I’d love to see what Spitzky means to Alec, and them interacting more, post film.

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IT (MOVIES - MUSCHIETTI)
↳ Characters: Ben Hanscom, Beverly Marsh, Bill Denbrough, Eddie Kaspbrak, Mike Hanlon, Richie Tozier, Stanley Uris, Adrian Mellon, Georgie Denbrough, Patrick Hockstetter

Fandom-specific DNW: Bisexual Richie Tozier or Eddie Kaspbrak. The one exception to this DNW is exploring how each feel about Beverly in context to poly OT7 or smaller poly combinations and expanding on how what they feel for her is bigger than friendship or familial love, but not necessarily romantic or outright sexual. If you want to toe the line on either of them being a Kinsey 5 with a Beverly exception, then I’m cool with that.

I ship: [inhales deeply] Richie/Eddie, Richie/Stan, Eddie/Stan, Richie/Eddie/Stan, Stan/Mike, Bill/Mike, Bill/Mike/Stan, Eddie/Mike, Richie/Mike, Richie/Eddie/Mike, Ben/Richie, Richie/Eddie/Ben, Ben/Beverly, Bill/Ben/Beverly, Bill/Ben, Ben/Mike, Beverley/Mike, Ben/Beverly/Mike, Eddie/Beverly, Richie/Beverly, Richie/Eddie/Beverly, Patrick/Henry, Patrick/Avery, Patrick/Richie, Patrick/Eddie, Patrick/Eddie/Richie, Bill/Georgie, Adrian/Don, and and the Losers Club OT7, always.

In terms of gen, I love the whole Losers Club and I want any combo of my requested characters interacting with each other.

To start with, I have a group of prompts that focus on the Losers Club (any combination of the Losers, or all seven of them):

→ I want anything with The Losers Club as a whole either set after Stan's death, or prior to his death, or AUs where he doesn't die, as well as AUs where Eddie doesn't die either. I am also interested in gen about the losers club as a whole, especially as adults, and all the ways they are all connected, from friendship fic to loving group sex orgies and anything in between. I’d love a mix of gen and not gen, how the intensity of their connection blurs the line of friendship into something more indefinable.

→ I’d love anything that explores how they all seem tied to each other and seem to be soulbonded somewhat. I’d love them to being able to feel each other’s emotions or hear each other’s thoughts, or share dreams.

→ I want anything that fills in the gaps between the first movie and the second movie. Adulthood, college, high school years. At what point did they all lose touch with each other? How long did it take for them to lose their memories of each other? Did something ever remind them of each other even while they were out living their adult lives? Bev catches Richie's stand up on a Netflix special? Eddie picks up a copy of Bill's book and has some half vague memory of him he can't quite hold on to? I love the thought of all of them reading Bill's books, even though they don't even like horror. I want them constantly drawn to each other, but not knowing who they are to each other.

→ Them running into each other, before the events of Chapter 2, in some other capacity, and not entirely remembering the other. Maybe Richie and Bill ran into each other in Hollywood, or Eddie and Stan ended up crossing paths—any combo of a potential meet up would be interesting. They don't entirely know the other person but there's a horrible familiarity. Maybe this leads to sexual encounters as well.

→ All the losers going to Bill's book signing, at various different points in his career and their lives. Bll instantly connecting with them, even though he can't remember them. I'd love this gen or shippy, with maybe Bill having one night stands with any or all Losers, and parting the next day, and not knowing why that felt like such an intense emotional connection.

→ All of them intensely missing someone they can't remember. Like a part of them is missing and they can’t figure out why.

→ I spent the whole movie expecting Mike to suggest an orgy to defeat Pennywise or perform the ritual. I still want that, tbh, where the Ritual of Chüd requires group sex, or they defeat Pennywise by harnessing the power of love... via group sex. Or they have an orgy to bond them all closer together so they don't forget each other. Or instead of the sewers and the Neibolt house collapsing in them, they're trapped there and having sex together unlocks the way out. I would enjoy a fuck or die, or sex pollen esque scenario, but honestly, I just want the Losers to tenderly, desperately, reaffirm their bond and how much they love each other with sex. Or post-film: they all get together once a year for an orgy to reestablish their bond. They are desperate not to forget each other again.

→ I would also love something that plays with the concept of the infamous gangbang from the book in this version, but maybe when they're older and not with Bev in the middle, necessarily. Maybe they all take turns being the focal point of a gangbang. I wouldn’t like this to replace the blood oath, so having them do both would be great.

→ All the Losers keeping in touch with one another set after the movie, making sure they constantly meet up again, visiting each other yearly at various different points, sending gifts, skype chats, group chats. Just doing their best not to forget each other again. Them becoming each other’s family.

→ I would love any hurt/comfort with them coping with the trauma of what they went through in Derry, either post-canon or post-Chapter 1.

→ ANY OPOV of them from a media standpoint. Richie, Bev, and Bill are famous to some degree and I'd love anything that explores what people think when Richie starts dating Eddie, or when Bev leaves her husband. I am just curious what an outsider would even think of these changes.

→ The remaining Losers go into the underworld or afterlife or weird cosmic alt world to get back Eddie and Stan. Undergoing trials to get them back.

→ When they all get together, the ghosts of Eddie and Stan linger around them. Maybe they can see them, maybe they can touch them.

→ Silly teenage games like spin the bottle, or truth or dare, or seven minutes in heaven that they play together as a joke, but turns serious. More photobooth and hammock moments!

→ Vampire AU. I am an absolute sucker for a vampire AU, I would probs read it for every fandom. Maybe Pennywise is an evil vampire clown serial killer, eating children, and preying on the Losers Club. Maybe one of the Losers gets turned into a vampire and they all band together to support them and protect them. Or all the Losers end up becoming vampires, becoming a vampire family of eternal teenagers.

→ Or a werewolf AU! Because I love the thought of the Losers Club actually being a pack of werewolves.

→ Serial killer AU where the Losers are actually a group of serial killing teenagers. They could target other children, or they could be tormenting that sad lonely clown that lives down the road, like a role reversal AU. I would just love to see them as the bad guys, as the darkest versions of themselves, while still being devoted and loving to one another.

→ Sense8 AU, or in this case—Sense7. Feel free to play around with the whole Sense8 mythology. You can have them all born on the same day, or their soul connection being due to other reasons.

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CHARACTER-FOCUSED PROMPTS:
Ben Hanscom

Give me more of Ben and his dog!

It struck me really hard how Ben was the one who tried to convince Richie to stay and Ben was the one dragging Richie out of the Neibolt house while Richie kicked and screamed to go back, so any exploration of their friendship would be lovely. Maybe Ben and Beverly take Richie home with them to keep an eye on him.

Ben and building structures as metaphors for bringing and keeping people together!

Post canon, with Ben building the losers a new modern adult clubhouse. I want Ben making his losers a new codependent home for them all.

Ben’s alcoholism in the books is an interesting thing I’d like to see carried over into film canon, or at least, signs of Ben not being very functional as he presents himself to be.

Ben/Beverly post canon getting together, especially if it takes slower than we thought. Both of them struggling to have a healthy relationship and not being sure what that looks like.

Ben protective of his friends; maybe a five or six times fic where he protects each one of his friends.

I’ve recently gotten fixated on Ben/Beverly twincest; maybe Arlene and Alvin are both their parents, maybe this is a parent trap situation and they were separated at birth or maybe they both grow up together in Derry.

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Beverly Marsh

It struck me as really interesting that Bev was such a tomboy growing up, but went on to have a very feminine career. I'd love to see something exploring the contradiction and dichmoty between the two--did she feel more free to explore that interest once outside of Derry and away from her father's influence--and when her interest in fashion began to development.

Beverly’s life, before joining the losers’ club. What was her relationship with the other losers? Did she get along with any of them? What about Gretta and her group of bullies? Was Beverly ever a part of that group and they casted her out?

Beverly and the Bowers gang; Henry acts like he’s fucked Bev and I’m sure he hasn’t but I’d love to read him with crush on Beverly and thinking she’s really cool, and her rejecting him. On another, somewhat different note, I’d also love to read about Beverly having a bad idea sexual relationship with Henry or Patrick that she’s ashamed of but carries on out of a sense of shame, self loathing, or just an urge for independence.

I would love for Beverly and Eddie to bond in any way over the abuse they went through at the hands of their parents (and spouses), either as children or as adults. Not necessarily openly talking about it but having a further understanding of each other, feeling more empathetic towards each other. Maybe a moment where Bev doesn't want to go home and Eddie and her just walk around town together.

Beverly & Richie & Eddie having their own side quest adventures and shenanigans.

Richie & Bev smoking together and being chaotic partners in crime.

Richie defending Beverly in any capacity. Violently beating up people harassing her and getting beaten up in turn, using his trashmouth to trash her bullies, or even just being protective and shielding her from graffiti or rumors about her. Eddie doing the same. Or any of the other Losers, for that matter.

I know Bev goes to Portland with her aunt at the end of the movie BUT WHAT IF SHE DIDN'T. What if her aunt moved to Derry instead so she lived with her, or what if Bev stayed with various Losers until her aunt recolated. I just want Bev to go to high school with the Losers and be a found family a little longer.

I’m really fascinated by the dynamics we don’t see on screen, such as Beverly & Mike, and Beverly & Stan and I’d love to see anything that explores those relationship a little bit more. Stan and Beverly having a quiet moment bird watching, or Beverly helping Mike around the farm, etc.

Any and all monster AUs! Vampire Beverly, werewolf Beverly, witch Beverly, all of that is fun! Maybe her mom was some kind of monster and her dad keeps trying to repress that part of her but with the losers club, she finally feels free to be herself.

Beverly and her nightmares. She clearly forgot the trauma of Derry, but I am curious how she interpreted her nightmares once she forgot her friends. Beverly having psychic powers. Beverly watching all the losers die every day in her head, in her dreams. Beverly having psychic powers, but different than death visions. Maybe she gets telekinetic powers, like Carrie, or reads minds.

Beverly having affairs while married to Tom, either with men or women. Either with OCs, or the losers. Maybe Ben is designing a building for Tom and she and him strike up an affair. I’d be interested in her having an affair with all the losers, even Richie, despite being gay; I love the thought of Richie trying hard to pretend to be straight and meeting Beverly and feeling such a powerful connection to her that he thinks he’s may be straight for Beverly (and it turns out he’s not but it was a worth a shot).

I’d basically love to see Beverly as a hot mess, and not having her life together.

The sewer gangbang in the book; I don’t want anything with ages that young but I would love older teenager Beverly, trying to reassert her sense of freedom and independence by inviting all her male friends to fuck her. I would especially like it if she’s not entirely sure what she’s doing, if they don’t know what they’re doing, if they’re a little nervous or anxious and scared to accidentally hurt her. I would really love it if Beverly doesn’t expect much or doesn’t think she’ll orgasm, but then the boys overwhelm her with how much they love her.

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Bill Denbrough

Bill and his feelings when he sees Mike again, and all the memories starting to rush back. Bill gradually remembering Mike, then all the Losers as he sees them.

Bill and his Georgie trauma, once he forgets he actually got closure on Georgie. Bill not remembering that Georgie died and only seeing him as his missing brother that was never found kills me.

Bill & his horror books. I am FASCINATED by what he must have written about. I want to see them as explorations of his trauma that he doesn’t remember, his books as stand ins for all his friends he doesn’t remember, or for something really funny, his books have absolutely nothing to do with his trauma but everyone thinks it does.

Bill divorces his wife and joins Mike on his road trip, then maybe feelings develop. Or Bill divorces Audra and invites Mike to stop by on his way through the area, then Mike never leaves.

If you write Bill/Mike, ANY OPOV of the remaining Losers to their sudden romance would be both adorable and touching.

Bill and Mike just checking in with each other, post-movie. Long talks on the phone, emails, video calls, texting. They slowly develop feelings through these conversations.

Any kind of teen Mike&Bill, or Mike/Bill things, maybe as a precursor for adult them. That relationship barely got any play in the first movie and I am curious about that dynamic. If you want them to hook up as teenagers, I’d love to see that in relation to memories being forgotten by Bill, but Mike remembering. I would especially love to see their last interaction before Bill forgot Mike.

Pennywise fucking with Bill extra hard due to his Georgie trauma. Bill seeing baby Georgie come back and haunt him, knowing it’s not real.

I loved the scene with adult Bill and young Bill in the climax of Part two and I would really love some kind of awful Pennywise-as-young-Bill nonconning adult Bill, all while taunting him about his failure to save Georgie and how he’s going to get all his friends killed.

Vampire or werewolf Bill, deciding to turn all his friends so they can be a family forever. Or if you want, Cult Leader Bill.

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Eddie Kaspbrak

Eddie lives! I don’t care how! I will devour any and all the post-canon Eddie lives fic. I would love to see Eddie move in with Richie, or Eddie and Richie go on roadtrips together, or Eddie & Richie & Bev being cute together, Eddie/Richie visiting Ben/Bev on their boat, anything!

I really like the idea of Bev & Eddie (maybe Richie, too) watching Ben exercise first thing in the morning. And by watching, I mean openly thirsting.

I'd love to see Eddie's friendship with the other losers, especially Mike and Stan and Beverly.

Eddie doesn't die, but gets seriously injured. The losers all stay with him in the aftermath at the hospital or through the entire recovery period, taking turns keeping an eye on him.

I would love any hurt/comfort with them coping with the trauma of what they went through in Derry, either post-canon or post-Chapter 1.

Or wound tending! Eddie taking care of losers! I loved Eddie bandaging and giving Ben first aid in the first movie. And visa versa, the losers taking care of Eddie!

Eddie has a restless, vengeful spirit, who haunts the losers, protective of them and taking out his rage on others around them (like Bev's husband, or people mean to Richie).

Eddie discovers the kissing bridge, either post-canon or some other time before that. Eddie adding to it when he finds it.

Anything with Eddie dealing with his mom's abuse of him, either as a teenager, or working through it as an adult. I would especially love to see the other losers provide comfort or help Eddie when he's sick, or help him sneak out of the house when his mom is keeping him isolated.

Exploring Eddie and his relationship to disease, sickness, hypochondria and placebos. Eddie trying to escape his mother’s tight control, maybe going too far and doing reckless things while doing so, getting into trouble or in over his head.

Or Eddie goes to a live Richie Tozier show and feels the need to go to the meet and greet. They end up hooking up, though neither of them tend to do this ever, but they can’t deny the weird, electric attraction they felt upon seeing each other and the buzzy, intense feeling they felt when they shook hands, each of them feeling a similar scar on their palms.

I love the thought of Eddie staying behind in Derry instead of Mike, and how much havoc would that wreck on his headspace. I am into both Eddie being heroic but also driven mad in his own way, especially if he had to live with his mom for some time. I’d love the stress of being with his mother with no support system to really get to him, lead to bad decisions, and/or maybe killing his mom.

Going off, Eddie stays behind in Derry and so does Beverly. The two of them enter a lavender marriage and they try to make it work. I headcanon Eddie as gay, so I’d love to see that worked into the fic, but also how that affects them as a married couple. Does Bev know he’s gay? Does Eddie try to hide it to be a good husband? Do they have sex and it’s unsatisfying? Or do they have weirdly good sex because Eddie works hard to get Beverly off even if he’s not physically attracted to her, he still loves her? I’d love to see all the messiness of that, plus them being the ones to call everyone back after the 27 years, and them coping living in the shadow of Pennywise.

Slutty Eddie. I’d love to see adult Eddie having affairs while married to Myra, college age Eddie having a gay sexual awakening now that he’s away from his mom, teen Eddie sleeping around with ill advised people (older men or people like Patrick) out of a misguided sense of independence, Eddie as a sex worker at any age. If he somehow manages to have an affair with a loser without remembering them, that'd be great.

Eddie comes back wrong, of course. As a zombie, a sapient one, who needs to eat other people to survive. As a vampire, as a werewolf, as something not totally human. Eddie comes back amoral and not entirely quite right but the losers still love him and do anything for him.

Eddie vs the leaper. I’d love anything exploring what it means to him, psychologically, or in a psychosexual creepy way.

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Mike Hanlon

Mike, watching his friends leave Derry and forget him, one by one

Mike throughout the years. I loved how manic and edgy he was in the movie, I loved that he lived in the library and had a police scanner that he was on high alert for and never forgot his duty, at the cost of some of his sanity and social life and any semblance of a normal life. I would love to see Derry slowly eating away at him the longer he stays, maybe with Pennywise not quite coming back but his influence affecting Mike in other ways.

More weird drug trips and surreal moments and hallucinations. Or expand on the weird drug trip he forced Bill on.

OPOV of the town on Mike. Mike says he talked to anyone who would talk to him trying to get information about IT, so I would love to see OPOV of Mike, desperately trying to get information out of anyone and defeat IT over the years.

I’d also love anything that explores memory and how Mike remembers them all and the rest don't.

Mike hallucinating the Losers while he stays in Derry. Either pennywise-induced in some way, or due to his own isolation and possible sleep deprivation. Derry slowly driving him insane.

More of Mike’s family. Does he have a grandmother? How do they get along? What about extended relatives? What’s life on the farm like after IT Chapter 1? Is there a noticeable change in Mike now that he has friends and defeated his bully? Does Leory know about Pennywise and was trying to protect Mike from him?

Mike interviewing Don in the aftermath of Adrian’s death. Mike and Don becoming friends, or more. Or Mike meeting Adrian before he dies, maybe Adrian hanging around at the library and getting to know Mike; maybe even an AU where he manages to stop his death.

Eddie seemed to know who Mike was before any of the others Losers did in the first movie, so I would like anything exploring any time Mike and Eddie may have met, interacted, or been friendly to one another before Mike becomes an official Loser.

Stan and Mike go to Florida after High School Graduation together. Give me the road trip, what they do, maybe their feelings come spilling out and it’s bittersweet because Stan is going away to college and Mike has to stay in Derry.

Mike is haunted by Stan’s ghost. Stan's ghost follows him throughout his road trip.

Mike visits Patty after IT Chapter 2, after he gets Stan’s letter. Maybe he feels the need to personally thank her, or maybe he wants to know who she is, curious about the woman his friend married; maybe Mike is trying to get to know who Stan became before he lost him so soon, and Patty is curious about this stranger from her husband’s past (yes I would like Mike/Patty grief sex).

Mike gets out of Derry! Maybe another loser stays behind or maybe they all manage to leave Derry. I’d love to see how Mike excels in a world without Derry weighing on him the same. Mike as an investigative journalist? Mike as a hotshot professor? If he runs into any other losers, I’m always into that.

Post chapter two Roadtrips, with any loser. Post chapter two recovery with Mike adjusting to the normal world and having a hard time with it. Mike crashing on all of his friends’ couches. Mike staying with Ben & Beverly (and maybe leading to Mike/Ben/Beverly), or moving in with Bill & Audra, or he and Eddie getting a place together post Eddie’s divorce.

CRYPTID HUNTER MIKE HANLON.

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Richie Tozier

I’d love anything that fills in the gaps of Chapter 2 in regards to Riches character, any missing scene. There are sections where Richie is gone and he knows things he shouldn’t know, like how Eddie stabbed Bowers. I’d love to see those moments in between scenes. Richie fretting about the knife wound and feeling guilty because he wasn’t there. Or Richie comforting Eddie in the Neibolt house after Eddie failed to act. Or write the ~rumored~ kiss that was supposed to happen after Eddie saves Richie.

Or in an effort to save Eddie, Richie gets severely injured instead and Eddie steps up and takes care of him, making sure the doctors do their job.

ANYTHING about Richie and the deadlights. Richie has visions now! Richie is super annoyed by this! Richie with superpowers. Richie sees dead people and he really wishes he didn’t! Maybe Stan, post suicide, starts following Richie around.

If you wanna keep Eddie dead after the film, I would love to see the Losers all band together to not leave Richie alone, sort of putting him on suicide watch but mainly I want hurt/comfort and greieving together and giving Richie space for him to say out loud he was in love with Eddie.

Richie being protective of any of the Losers--Eddie from his mom or bullies or in general, Mike from bullies, Beverly from being bullied or her dad, etc.

Richie being punched in the gut with his feelings for Eddie that he had completely forgotten about until he laid eyes on him again.

Maybe Richie and Eddie end up making out in the bathroom at the chinese restaurant because they can’t contain their feelings.

I would love high school era Richie/Eddie with awkward, intense teenage fumblings at a relationship and pushing their friendship past something else. Then they slowly start to unravel the more distance they put between themselves and themselves and Derry, until they forget it ever happened.

The hammock scene wrecked me. I would love more snapshots of Richie and Eddie’s childhood, whether they're more moments in the hammock, or them smushed together on the couch watching movies. Just all times when they were both heavily in each other's personal space, casually touching one another and trying to act like it's not weird or they’re seriously crushing on one another.

Richie has to fuck Eddie's corpse to bring him back to life. OR all the losers have to fuck Eddie’s corpse, I’m not picky.

Richie confiding in Stan that he's gay and Stan being supportive. I’d love it if there are hugs, or friendly friendship kisses or Stan comes out as well, if you wanna go that route.

My favorite thing about Richie is how loyal he is to his friends, so anything when he’s being supportive, friendly, spending time with or defending any one of his friends, I’d adore.

I am both into Richie having unfulfilling unsatisfying hook-ups or Richie being a total virgin by the time IT Chapter 2 happens.

I am always here for sad, nervous, anxious werewolf Richie!

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Stanley Uris

I loved everything the new movie gave us about Stan, especially that final letter. I'd love to see more of Stan as a teenager, in Derry, and his friendship with all the others, his practicality and him defying family expectations. Stan rebelling against his father, whether in secret or in public, would be great. Stan striking up a secret relationship with someone (Mike? Richie? Beverly? Gretta?) in order to rebel against his father.

Any Stan lives AU! Have Stan come to Derry or have one of the losers come get Stan personally from Atlanta to take him to Derry. Have Stan show up late, with bandages on his wrists from trying to kill himself, but still there.

I would love to read an AU where Stan survives, but he did try to kill himself and how he and Patricia, as well as the losers, handle that.

Stan + photography. Stan + bird watching. Stan taking pictures of all the Losers. I’d also like to see Stanley taking Mike while he goes looking for birds.

Stan and his Derry trauma, given how the memories seemed a lot closer to the surface for him, than it did for anyone else.

Any kind of Richie & Stan moments/dynamics I loved that Richie came to his bar mitzvah and was ready to clap for him when no one else was and I'd love to see more of how the calm logical one and the completely chaotic one get along, how their temperaments can make them butt heads but also complement each other really well.

Richie is Stan’s first kiss. Or maybe he’s Eddie’s first kiss. Stan having overly intimate relationships with his best friends.

I love the entire dynamic of Eddie and Richie constantly arguing while Stan looks so done with both of them in the background. Stan is always rolling his eyes at them. I'd love more of his POV, in general. I see him as the straight man in their three person group. I headcanon that they were all friends before they all met Bill, so there’s some sandbox love history there to be mined.

Any high school-era shenanigans. Richie and Eddie dragging Stan on adventures, Eddie and Stan uniting against Richie for the side of reason. Eddie and Richie teasing Stan and Stan giving back as good as he gets.

I like the thought of Richie/Eddie/Stan and I would love to see how a threesome develops, whether they get drunk and just started experimenting, or something a lot more deliberate happens.

Something when they're adults—maybe the three of them end up in the same place together for reasons, before any of them have met their wives. They end up spending New Years together in New York, and run into each other, or they go back to Derry at the same time for a holiday, or start to remember each other, if not Pennywise, or perhaps they go back for Eddie's mom's funeral.

In general, I would love Richie haunted by Stan (and maybe Eddie as well, ghost Eddie and Stan hanging out!), and Richie feeling horrified, but not wanting them to go. I am okay with however you wanna depict the ghosts, as shadows of their former selves, in a come back wrong sort of way, or mostly the same, but not able to move on.

I recently latched onto Mike/Stan ship when I rewatched the first movie and saw how much Mike and Stan stood by each other and comforted one another. Mike is the only one to reach out when Stan is crying at the Neibolt house and wraps him up in his arms. That part did me in and now I’d really just love anything that explores their dynamic further. Stan and Mike going off together whenever there is Loser drama, or Stan and Mike playing board games together, or Stan and Mike sleeping over or bonding over their stern families. I’d love anything that builds on that quiet solidarity and explores their friendship that could lead to something more.

Stan having psychic powers. I loved the bit in the book that implies he’s a little psychic and I’d love to see something with teen Stan developing psychic powers, maybe due to being in the deadlights even for a very brief moment of time. Stan seeing the future, or reading thoughts, or just knowing things he shouldn’t know.

Stan wakes up with wings. He doesn’t like them.

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Adrian Mellon

Fix it! Let him live! Yes I know it undercuts the whole point of the movie but I want Adrian to live. Either fic where he never runs into the homophobes and Adrian escapes all that business entirely, or he survives the homophobes that attack him and/or Pennywise. I would really especially love trauma recovery or hurt/comfort.

Or have Don bring him back to life somehow. Go into the underworld to retrieve him! Dark eldritch rituals where he comes back!

Alternatively, it’d be really interesting if Adrian (with Don maybe) have other types of encounters with Pennywise instead. Encounters that they survive but freak them out.

Tell me more about Adrian; where did he come from? How did he and Don meet? What did he think of Derry? Feel free to use or work in book backstory or make something else up. Part of me has always been interested in how book Adrian felt drawn to Derry, despite it’s evil, and I’d love to see that worked in and what it means for the character.

The Adrian/Don love story!!!! Tell me it!

If Adrian is a writer, maybe he hangs out at the library a lot, maybe he runs into Mike. Give me the Adrian and Mike friendship! Especially if Adrian reminds Mike of someone he used to know.

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Georgie Denbrough

Georgie lives and grows up really traumatized! I love cute kid Georgie but I’d love to see Georgie age into adolescence and having a very troubled time (for example, acting out, getting into fights, angry about losing an arm, nightmares, PTSD flashbacks, having a hard time making friends because no one understands what he went through). Maybe he lost his arm and has a lot of trauma from Pennywise eating his arm. Maybe he did get taken into the sewer but ended up surviving for reasons he doesn’t fully understand or entirely remember.

Georgie gets powers in exchange for surviving Pennywise. Or maybe spending some time in the deadlights means he got super powers.

Adult Georgie becomes part of the fighting Pennywise group.

Georgie is the one who stays behind in Derry and calls everyone.

Bill and Georgie on Halloween.

Patrick/Georgie: I love the thought of Patrick inexplicably surviving being attacked by Pennywise and he and Georgie bonding when Georgie is older (teenager or adult). I really especially love the thought of Georgie striking up a bad idea relationship with this one person who could maybe understand him, even if he’s a terrible person.

For something really dark, Pennywise doesn’t eat Georgie and lets him live but sends him back to the Losers with a little piece of himself inside him, like a horcrux.

Or Pennywise adopts Georgie instead of eating him and makes him his apprentice. Bill and all the losers to see creepy kid Georgie hanging around every time a kid dies, smiling and covered in blood.

For something cuter, I really like the thought of Georgie growing up and getting a crush on any loser. It could be Richie because he’s funny and makes gross jokes, or Beverly because she’s always sweet to him, Stan because Stan connects to his almost-eaten-by-Pennywise trauma, Mike because he’s around a lot and always very gentle with Georgie, Eddie because he relates to Georgie or Ben because he’s a sweetheart. I would love to see Georgie have a tiny crush and give the older losers flowers, cards, arts and crafts—or if Georgie is an older teenager and the losers are young adults, maybe he makes them a mixtape or gets awkwardly flirty and tries to woo one of them! I would not be opposed to actual dating as long as Georgie is a teenager, and for Bill to lose his mind how dare anyone date his little brother.

Role reversal! Bill goes missing! Georgie has to figure it out and defeat Pennywise. Fee free to age Georgie up a bit as long as he’s still the baby brother. Feel free to tragically kill Bill off for Georgie’s superhero origin story too!

I would also like Georgie to have his own Losers Club group of friends. I’m a little intrigued by the thought of Avery Hockstetter being Georgie’s friend, especially if Patrick goes missing (and does not murder Avery) and Avery himself is a little off kilter.

Bill does terrible things to bring Georgie back to life. Or Bill trades himself for Georgie.

I’m really into Bill/Georgie; I’d love for Georgie to survive and for both of them to grow up very codependent with each other. Bill is afraid to push Georgie away because the last time he did he got attacked. And Georgie doesn’t feel safe anywhere except with his brother. Creepy twisted codependency, yes please. More prompts for this here.

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Patrick Hockstetter

Patrick is amazing. WHAT IS A PATRICK? We just don’t know! I wanna know more about him and where or how just spawned. The only thing I don’t want is a tragic backstory. I like the thought of Patrick just being a sociopathic kid from the start

Patrick-Henry, or Patrick/Henry; I’m curious about their relationship and when they became friends. I’d love to see the bowers gang forming with Patrick and Henry being friends first. I’d be really interested in Bowers Gang as an evil version of the losers club.

Henry being terrified of Patrick, but keeping him around because Patrick encourages all of Henry’s worst desires. Both of them egging each other on and terrifying their gang.

Patrick’s relationship to the other members of the Bowers gangs. I like the thought of him having some sick twisted fondness for them, but not sure how to express it. Patrick as a pack animal, who likes doing horrible things to people but also having some kind of group to thrive in.

I’m also into Patrick fucking Henry’s dad, or getting fucked or dubconned by Butch Bowers. Maybe he picks him up doing crimes and fucks him in the back seat of his Sheriff’s car in exchange for letting him go free. Maybe they have a standing fuck buddy appointment; maybe Butch dehumanizes him because he thinks he can’t feel pain or trauma the other people do. Maybe he wants Patrick to stay away from his kid. I’d be really into him walking in on Henry/Patrick sex and just watching in a corner like a creepy voyeur too. Feel free to lean into weird, uncomfortable incest aspects, if you’d like.

Sex worker Patrick is also something I’m very interested in. I love the thought of no one really expecting that from him, given his aggressive violent personality, and him not feeling ashamed or embarrassed by it if someone tries to make him feel that way, just seeing it as practical work. Maybe trying to get money to get out of Derry once and for all.

In general, the thought of Patrick being dubconned or nonconned by others FASCINATES me. Is he too kinky to torture? Does he swear revenge? Does he freak out his rapists? How does Patrick process fear or pain? I don’t want to watch him get his comeuppance via rape, or any kind of narrative tht leans into punishing him via rape, I’m just fascinated by how he’d cope with unwanted sex and not being the rapist for once. Pennywise nonconning him with evil visions of someone (Henry? The losers? His brother?) is also fascinating.

Patrick has loving parents...that are scared of him.

I’m very into Patrick/Richie, Patrick/Eddie, Patrick/Richie/Eddie and him dubconning, coercing, blackmailing them into sex, and just emotionally terrorizing them.

Patrick survives Pennywise but comes back not entirely okay. He comes back wrong or with deadlight visions. Maybe he’s even more dangerous or maybe he’s a little defanged and needs help.

Patrick, lost the entire Bowers gang, decides to make a new gang, starting with Richie or Eddie. Whether they want to or not. This would be especially fun if Patrick is a vampire or werewolf and he forces them to become a monster too.

Zombie Patrick, especially if Zombie Patrick is actually PATRICK and not just a Pennywise hallucination. Maybe he’s bound to serve PEnnywise or Pennywise can summon his spirit for nefarious deeds.

Patrick and his brother—-which I understand only exists in the book, so feel free to ignore this. I don’t want book fic but rather how Avery fits in this version of canon, if he were to exist. Did Patrick still murder him? What if he didn’t? How would they grow up together?

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THE LOST BOYS (1987)
Characters: Michael Emerson, Sam Emerson

I love this film—it has everything: 80s glam vampires, homoerotic subtext, humor, brothers. I would love something set in the world. I ship Michael/Sam a lot, so some of my prompts will lean that way, but it’s okay if you’re not into it! I really love creepy vampire gen, brotherly bonding gen and of course, anything about Sam and his AMAZING style.

I’m really fascinated by any “what if?” story about Michael turning into a vampire. I am less interested in Michael involved with the Lost Boys and more about what turning into a vampire would be like, after it’s all over, no real support system. Feel free to include in Star and Laddie but I rather Michael and Sam’s relationship be the focus, or Michael’s relationship with his mom; basically I want to see how it affects his family.

The brothers being touchy all the time; Sam asking for piggy back rides. Sam and Michael constantly nuzzling. Maybe Sam has a nightmare and wants to share the bed. Maybe they used to do that all the time but gradually Michael thought Sam was getting too old for that and stopped.

Michael not changing back human but instead remaining a half vampire. I’d love to see them try to make it work in Santa Clara, with Michael as half vampire; does he go to school? Does he quit and get a night job? Does Sam have to help him with his vampire urges? I love the thought of Sam having to tie him up from time to time to keep him under control.

Give me protective vamp Michael protecting Sam.

Or not so protective; Michael sniffing Sam and leaning into his warm skin and wanting to eat him. For a more shippy direction, Sam offering his blood up to Michael to help stave off the urge to kill and Michael torn between being a good brother and protecting him and taking what’s offered.

I’d also love any pre-canon stuff set before the move to Santa Clara, especially about Michael. I was really interested how helpful he was around the house, not complaining about moving unlike Sam, and how he didn’t have a nice word to say about his dad in the film...generally he seemed more understanding of being flat broke than Sam was, which I took it as just a sign of his age but I would like to see what their lives were like being moving to Santa Clara, what his relationship to his father is (and if he even likes him) and if you write human post movie Mike, how he readjusts after all the trauma of the film.

Pre canon shippy stuff, with I'd love to see Sam pining and having terrible, inappropriate crush-like feelings on his older brother and trying to ignore them. I love how cranky Sam gets when Michael ignores him and focuses on girls and would love to see more of his younger sibling jealousy as his older brother starts to pay less attention to him and more towards others. Play up the bratty little brother angle.

If you’re not interested in brothercest, I am really in general interested in Sam being gay! I feel like he’s easy to read that way in the movie (never expresses an interest in girls, has a Rob Lowe poster), and I would love to read fic exploring that, whether Sam knows and is in denial, or if he’s fully aware he’s gay during the movie and just isn’t saying anything. It’d be cute if he had a crush on someone. He can have a crush on OCs, friends from back in Phoenix, hot movie stars, hot saxophone man, or even the Frog brothers. Post movie fic and beyond incorporating Sam being gay as he grows up would be great! I’d rather avoid AIDS angst, even though it’s the 80s, but references to it is fine.

This is really more of an art prompt than a fic prompt but I love Sam’s amazing fashion sense and all the clothes he wears so if you can incorporate that in some way, I’d adore it.

AU where they kill Max, but Michael remains a half vampire. I'd love to see them handle the fallout of that, with Sam trying to protect Michael from the Frog brothers and trying to find a way to cure him, Michael becoming despondent and trying so hard not to eat people. I'm always down for vampires eating people, so I would totally love it if he failed and went full vampire, and having to deal with that mess, but a story of trying hard to resist drinking blood would also suit my id very much.

Shippy Sam/Michael where that scenario leads to an incestous relationship to evolve from those stressful circumstances—their relationship getting more codependent the more dire their circumstances become, and Sam getting more and more desperate the more he feels Michael drift away from humanity and from him. Maybe they just take off to keep their mom safe, with Michael originally just planning to leave himself, but Sam insists on going.

Max wins AU, where he gets the happy vampire family he wanted, with vampire Sam. I'd prefer less of a focus on Max & David and the others, but I'm fine with vampire Lucy being a part of this AU.

I also like the thought of Michael taking his brother and running in those circumstances as well, trying to get away from Max and David, and not wanting them to hurt, or turn Sam (if he’s still human).

Or a simply a post-movie AU where Michael is a vampire and leaves to protect his family and Sam hunts him down. Maybe Sam is planning to kill him, but finds he can't do that, or maybe Sam just misses his brother.

I am really into the idea of Michael turning Sam, for whatever reason—to save his life, or because he didn't want to be alone as a vampire, or by total accident.

Speaking of accidents, I’d love any kind of blood sharing or Michael needing to feed off Sam for whatever reason, and it goes too far. Or nothing happens, but Sam enjoyed being fed on more than he should, and keeps offering himself. Really, I love all the ridiculous vampire tropes, so lean into that hard and all the film’s campiness.

More shenanigans with Sam trying to figure out which vampire myths are true and fake, or trying to do experiments with Michael and his new powers, and Michael getting annoyed and getting suddenly scary. I’d love the drama of it all, how harmless brother antics get intense now.

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THE MAGICIANS (TV)
↳ Characters: Quentin Coldwater, Margo Hanson, Eliot Waugh, Julia Wicker

Fandom-specific DNW: Quentin's death being permanent. He can die, but I would prefer an implication that he is going to come back, or someone is going to rescue him.

I ship all these four in various permutations, especially Quentin/Eliot, Quentin/Eliot/Margo, Quentin/Eliot/Margo/Julia, Margo/Julia. I really love friendship with benefits Quentin/Margo. I feel mostly platonic about Quentin&Julia and Margo&Eliot, but I also adore their very intimate friendships and I wouldn’t mind if things got physically intimate as well, either as a one off, or trying something new, or Margo and Eliot sharing a man together.

I feel like a lot of my prompts will have a shippy edge to them but I’m really happy reading gen and friendshippy fic about them. I loved the Fillory setting but also would be happy with AUs that are just them going to magical grad school together without worrying about having to rule an entire other realm. All the magic grad school shenanigans! Feel free to ignore the ending, or at least, don’t separate Margo and Eliot forever.

Bringing Quentin from the dead. Maybe they have to go into the underworld, Orpheus and Eurydice-style or there is a dark magical ritual that involves anything gross or uncomfortable things. Bring him back however you like! It could be just Eliot, or Eliot & Margo, Julia traveling to bring him back, or all three of them doing something spooky and dark to get Quentin back.

If Quentin comes back wrong, I’d be interested in how he comes back wrong...as long as they don’t have to kill him again.

Alternatively, give me more of Quentin and Margo working together to save their Eliot! I was saddened that Margo wasn't as much a part of that and I would love to see a different take, with Margo and Quentin bonding, both trying to manage the monster in some ways and Margo/Quentin hurt/comfort over the trauma of the whole experience.

Weird Seasonal stuff. Magical spells gone wrong or back firing. Tropey things like everyone turns into their costumes, or the fall equinox being important for a ritual or tradition. Spooky, fucked up Halloween traditions at Brakebills.

Cracky, magical weirdness or horror weirdness. Like them trapped in a horror movie, or creepy, magical forests.

Sex pollen is always fun, or creative playful uses of sex pollen or magical rituals that require sex. I would love them stumbling into a field of Fillory flowers that are dangerous, either in a sex pollen or fuck or die sort of way, but also causes any number of weird things. Maybe flowers that make them all tell the truth or they accidentally get turned into animals! Turn Quentin into a kitten!

Or for them to piss off some magical forest Fillory creature that soul binds them, forces them to be unable to leave each other's sides, makes them all switch bodies, etc.

Dreamsharing for everyone!

I'd love a werewolf AU where SOMEONE gets it by a werewolf and they have to cope with that somehow. I vote for Quentin to be the one bitten, but whatever makes the story work best. I'd love for a little wolf pack AU where they all become werewolves as well.

Or on the flip side, Eliot becomes a vampire. Or Margo becomes a vampire. Or Julia! Play this as fun and sexy, or dark as you want. I'd love to see what a vampire magician looks like, I'd love to see the rest of them adjust to new changes (and sexy bloodsharing), but I would also dark stuff with escalating murder and/violence because of their transformation.

I would read all about these four performing and doing magic together. Magic that goes wrong, or sexy spells or just combining their magic together to something, make something, fix something together. I'd love anything ranging from sex magic to just a quiet moment with them making flower grow.

Any hurt/comfort between these four. Eliot and Margo being protective of their tiny nerd friend. Quentin trying to sacrifice himself for them. Julia defending Eliot and Margo. Julia and Quentin fighting for each other. I just love these dynamic so much.

Stuff in Fillory with Margo/Quentin/Eliot ruling as a trio. Maybe Fillory has their own spooky fall traditions as well.

Julia ruling Fillory with them. She should have gone with them! There must have been a timeline where she did go with them. I would have loved to see her be an additional queen or maybe a timeline where she went to Fillory instead of Alice or got picked as a queen instead of her.

Some of my favorite moments are the ones where Julia interacts with Margo and Eliot in S2, especially when they aren’t really getting along and don’t even seem to like each other but are sympathetic and emphasize with her (we are emotionally advanced! We can resent and sympathize with a person at the same time!). I basically want more of that dynamic.

I’ve especially always been sad that Margo&Eliot parallel Julia&Quentin really well but as much as Quentin and Margo interact, we don’t see much between Eliot and Julia. I’d love to see them have more moments together, getting along, maybe being school rivals. I would really love to see them actually grow to be friends.

Alternate timelines where Julia got a chance to grow closer to Margo and Eliot as well, because she wasn’t kicked out of Brakebills. I’d love to see the version of events when they all got to be a friendship Quartet and Julia and Quentin got to explore magic together.

Backstory! I’d love to see how Eliot felt about Halloween growing up, considering the theme of being whatever you like. Or how he and Margo met and became so close. Their early days at Brakebills! Or Margo pre-Brakebills, Margo being a secret super nerd. Anything! I think a lot about what Margo was like before she got magic and I’d love anything about her growing up and discovering her power.

I love every Margo & Quentin moment so much. I want to see more stuff from them early in the series, with her trying to get him out of his shell or get him to be more outgoing and having fun. Margo/Quentin friends with benefits is always welcome.

The Quentin/Margo/Eliot threesome. I never get tired of it. I would love MORE. I always want more. I would also love throwing Julia in there as well, maybe in AUs where she’s with the gang when they have their weird emotional high or some other moment further down the line where she gets caught in a magical foursome with them.

Margo & Eliot being hedonistic AF at Brakebills. Both of them trying to seduce Quentin, maybe even making it a competition.

That bit in ep 2? Where Eliot says if Quentin he'd kicked out of Brakebills and loses his memory, Eliot will show back up and lift up his spirits and put the sparkle back in his life? Yeah, I want that AU. Eliot going out to find Quentin so he can keep him in his life, even if his memories are gone.

Groundhog day/timeloop AUs! Maybe one of them has to relieve Quentin’s death, trying to bring him back. Or maybe one of them slowly starts to become aware they’ve been repeating a version of events over and over. Feel free to make this really funny or really dark and creepy.

ZOMBIE APOCALYPSE AU. I'd love to see how they survive it, given their magic, or would they just stop the apocalypse before it escalates because of magic.

Give me more heists!

I love how genuinely goddamn anything is possible in this universe but the plot moves so fast that it's hard to really enjoy the general crackiness of the world, so what I am saying, I would like anything that embraces how absurd the verse can be and runs with it.

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ORIGINAL WORKS
↳ Characters:

Actor Cast As A Vampire Who Is Actually A Vampire (Original Work)

Cat Turned Permanently Human (Original Work)

Cat Who Sees Ghosts (Original Work)

Family Of Werewolves (Original Work)

Ghost of A Murdered Prince/ss Haunting The Castle (Original Work)

Immortal working as History Teacher (Original Work)

Littlest Sheet Ghost On First Haunting Assignment (Original Work)

Matchmaker Who Can See Red Strings of Fate (Original Work)

Modern witch who cast hexes through the Internet (Original Work)

Monster Under The Bed Who Secretly Just Wants Love (Original Work)

Monster Who Normally Disguises Themself As A Human Going Undisguised For Halloween (Original Work)

Original Personified Halloween Character(s) (Original Work)

Person With Sexually-Transmitted Monsterism (Original Work)

Queen of the Cats (Original Work)

Serial Killer Looking for Next Victim (Original Work)

Tentacle Sex Shop Owner Who Tries to Dissuade Teen from Their Choice (Original Work)

The Anthropomorphization of Death (Original Work)

Vampire Who Has Been Asleep For Like 300 Years (Original Work)

Witch's Cat (Original Work)

Witch Whose Love Spells Cause Unlikely Couples (Original Work)

I am not going to prompt for every single one of these, sorry! I think the characters are prompts in their own right. Mainly, I am looking for a sweet and/or cute, but spooky halloween/horror story, or something genuinely dark and creepy. I love dark stories about people being monsters, and people loving monsters, but also monsters that aren’t so bad, or kind of friendly. I especially love ‘"humans are the real monsters!” trope with monsters being warm and welcoming to outsiders. I’d love to see vampires or immortals adjusting to the modern day, serial killers just having a good time, monsters and creatures in absurd and surreal situations, cute families of monsters, monsters that just want to be loved, witches having a good time or witches, and psychopomp characters.

And cats. I adore cats.

I absolutely adore any world building and I don't want to limit your creativity, so please pick any one of the characters I requested and have fun writing about them. Or you can mix and match! I picked a few that I think go well together, if that is what you want to do.

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PET SEMATARY - STEPHEN KING
Characters: Church, Ellie Creed, Victor Pascow

This is my favorite of King's novels. I've been really obsessed with the story since I was a kid, so anything you'd like to write, I'd be very happy with it!

I'd love anything that focuses on Ellie's life after the film and explores how she grows up without her family, if she remembers the events or if she is still a bit psychic or can still speak to ghosts.

Anything that explores who Victor was and what he’s become in the afterlife. What is the afterlife for him? Is this really Victor Pascow, or another entity altogether?

Pascow as Ellie’s guardian angel and imaginary friend throughout her life! I’d love to see him around more; maybe he feels guilty for not being around to save her family and makes it up to her by guiding her.

Pascow eventually becoming Ellie’s undead family is great.

I love her relationship with Church and I have a soft spot as a cat lover, so I'd love anything with them, either pre-Church's death or after. Go a sweet or as spooky as you want.

Church POV would be fascinating if post-Resurrection and if you're up to the challenge, I'd love to see a take on it.

Ellie goes back to the house in Ludlow for any reason. I'd love to see her trying to figure out what exactly happened to parents, or that she's drawn to the burial ground, for whatever reason. Maybe she runs into the ghosts of her parents, or Pascow.

AU where Church is never "put down" and Ellie keeps him around, so she grows up with this eternal undead cat that loves only her. I love the thought of this mean, mean cat that hates everyone and scares everyone except Ellie.

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READY OR NOT (2019)
Characters: Charity Le Domas, Grace Le Domas, Helene Le Domas

Charity Le Domas

I think it’s heavily implied that Charity came from some unfortunate circumstances herself, just like Grace, so I would love to see that tragic backstory. I love the thought of Charity selling her soul almost immediately because she’d rather be a monster than go back to whatever it is she was running from. I also love the thought of Charity’s slow corruption; maybe she used to be a good person and the money changed her, or she gave up her morals for money and power and security.

Charity/Daniel—how did they meet? Why did they get married? Were they ever in love at any point? She seems genuinely heartbroken that he doesn’t care about her, so I want to see the start of that relationship and the slow dissolution.

Charity as a sex worker. Daniel decides to Pretty Woman her up. Or Charity as a sex worker, robbing and killing particuarly nasty clients, until she runs into Daniel.

Charity seducing Alex. Charity trying to fuck Alex because Daniel isn’t paying enough attention to her. I am down for a threesome as well, especially if Daniel/Alex is a thing and Charity decides she wants in.
I am very down for Grace/Charity hatesex as well, especially in an AU where Grace doesn’t draw the hide and seek card and ends up losing her soul a bit as well, just like Charity.

How does Charity get along with the rest of the family? She seems to fit in but I wonder if Becky liked her as well at any point, if Charity was worried about being hated as she married into the family, and what marrying into their family is like from the standpoint of knowing she could draw the card and die? Are they more impressed by her taking that risk?

AU where Charity draws the hide and seek card... and survives.

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Grace Le Domas

Backstory fic for Grace. I love how she's strong and tough and resourceful, but also desperate for a family. I'd love to see anything of her life, pre-movie.

Grace and fairy tales. Grace as the main female character of Bluebeard seems most natural to me, but I’d love to read any kind of dark fairy tale re: Grace. Grace as little red riding hood? Grace as the girl with a ribbon around her neck? Grace as Cinderella AU? Grace vs Becky with a Snow White & Evil Queen spin?
Alex introducing Daniel to Grace. I'm desperately curious about how that meeting went. I thought it was interesting how Daniel seemed to be the only family member who already knew Grace.

Grace doesn't draw the hide & seek card. She and Alex go on their honeymoon. This isn't necessarily a happy ending. Or basically, Grace marries into the family, and becomes a part of them, just like she wanted, with all that entails.

Along the same lines, I am interested in Grace not drawing the Hide and Seek card and genuinely joining the family, and gradually losing her humanity. I would like it if Grace tried to bring Alex closer to the family, like Becky asked her to, without knowing what that means. I love the thought of both Alex and Grace being the brightest stars with the most potential to escape this horror, and becoming more amoral the more they’re together and in the family, and while Daniel watches in horror unable to stop it. Please, I love moral corruption stories.

Rosemary’s baby AU! Maybe instead of hide and seek, she has to have ritual sex with Alex (or Alex & Daniel). Maybe the family has to watch. Maybe they have to make sure she gets pregnant or she’ll die. Maybe she gets pregnant with the antichrist because Le Bail decides he likes her. Maybe her husband (or Daniel) has to be possessed by Le Bail for the ritual to work.

Grace makes her own deal with Le Bail.

I really want a Grace/Daniel/Alex AU as head of the family, however way you can make that work. Grace makes a deal to spare the younger generations? Grace wins the game and is able to change the terms? Grace brings back Daniel and Alex back to life somehow but for her own reasons?

AU where Alex tells her the truth before getting married. Grace still wants in on the family.

Grace dies and comes back from the dead to take her revenge. Or returns as a ghost to haunt the Le Domas family. I’d be really interested in her not killing them, but gaslighting and driving them mad, as a ghost haunting their family home that won’t ever leave.

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Helene Le Domas

Helene throwing herself into worshipping Le Bail. This family horrifies and fascinates me. Tell me more about their Satan worshipping ways! Alex said he thought slitting goat throats was normal and Daniel and Emilie appear to be no stranger to hiding dead bodies, despite this ritual only happening once a generation, so I’d love to see more of that, filtered through Helene (or Charity, really). What reasons would they need to sacrifice goats regularly? How often do they kill people? The creepier the better.

Helene and the contrast between who she was when she was begging her family not to kill her husband, and who she is now—-cold, hard and fanatical about Le Bail. I basically want to read about her transformation and character growth and how she became that person. I want to poke at Helene’s soft spots under her harshness, the love she had for her husband, her current “devotion” to her family, and/or the coping mechanisms she adopted to cope with her family murdering the only man she loved.

Helena growing up in the Le Domas house. I am fascinated by what she must have been like as a teenager, by Helene being, at some point in her life, sweet and loving and much softer than she is now.

Helene and her nephews (and niece). She doesn’t seem to particularly care about any of them except Alex so I’d like to read about her interacting with them and her very little tolerance for Emilie and Grace and by contrast, whatever it is she sees in Alex that she thinks is leadership material.

I am mildly obsessed with the thought of Helene, after killing her husband, getting lonely and despondent and adopting an orphan girl to raise in the family. The girl is Grace. This is more of a Grace prompt than Helene prompt but I really am into what Grace would be like raised in this ideology. I would love for Helene to be both a harsh parental figure and genuinely doting on Grace. I basically want to see Grace be a tough, resourceful, scrappy kid and Helene deciding that makes her valuable and worthy to the family.

Helene adopting Grace with the intention of marrying her to Alex and/or Daniel for Le Bail reasons would be deliciously creepy.

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